A Quote by Susie Wolff
When I stopped racing, I kept being asked to comment on diversity in the sport but I really felt I had done my part.
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I definitely feel like I'm carrying on the legacy of the Scott family. What Wendell had to go through was extremely difficult, but he kept racing, kept fighting. Part of him will be with me when I'm out on the track.
The competition is a big part of it [racing] - the passion you have for the sport and the knowledge you have. You're not just going to wake up one day and say, " think I'll do something different." This is what I've done my whole life. My competitive nature and my passion for the sport, those are the things that keep you wanting to do better.
I'm very good at compartmentalising my life. I did motor-racing for a while, stopped, didn't miss it. I did power-boat racing for a while, stopped, didn't miss it. I had such a good run at the BBC. I had a hell of a CV with arguably the greatest broadcasting organisation in the world. But I've never missed it since.
One comment by a female lobbyist really shocked me. She said, "Washington is a contact sport." I asked, "What do you mean by that?" And she just said, "Well, it's all men - and they're very contact-y. They touch a lot." Women say that's just part of the game.
Katherine Johnson never complained, it just was what it was. She just said, "I just wanted to go to work and do my numbers." And she stopped right there. I think about that as a Black woman in Hollywood when I'm asked about diversity. I hate when people say diversity because the first thing you jump to is Black and white. When you talk about diversity, you're talking about women being hired in front of and behind the camera. You are talking about people with disabilities, the LGBTQ community...so I hate when people think about diversity.
If horse racing is the sport of kings, then drag racing must be the sport of queens.
Which is the healthier kind of literary diversity: an un-gate-kept self-published book world, run substantially through Amazon? Or our current book world, which is part-gate-kept, part-not, with many different publishers and retailers and platforms? I'm not smart enough to figure it out, but if I had to guess I'd guess the latter.
I've sort of had an investigatory relationship with being a musician. I really wasn't sure what I wanted to do. I felt I had had my run - I had done Jane's and I wasn't particularly interested in music anymore.
So nonetheless given the importance that was placed on sport in Australia, I wanted to be part of that scene, particularly since I had felt very strongly in my early schooling being marginalised even in the Catholic school.
Iranians and Arabs aren't considered diversity because we still don't have minority status in America. There was a group of Middle Eastern actors trying to get SAG to recognize us as part of the diversity they should look out for, because we do represent a different point of view. When OscarsSoWhite happened, I felt part of that.
People often comment on the feeling and soul in my music, and I think part of that comes from the honesty and diversity of the kids I went to school with and jammed with.
I just felt I had done enough in the sport to put my stamp on boxing.
I think the sport of cycling is different then racing. The sport is just about being healthy and giving yourself an outlet so it's a easy sport to do and I think there are more and more women cycling everyday.
You can't just think that you will get a job for no good reason... And I think that the other part is you have to work your way up, you know I did a lot of Xeroxing and getting coffee...I always did what I was asked to do. I delivered. People knew that I would get things done and get them done well. And that is a big part of our resumes, are based on being responsible and being willing to do what needed to be done.
I've always felt like an artistic person. I can't draw or paint or sculpt. I never really had technical skills, but I've always felt like I appreciate really beautiful things, and part of taking a good photograph is being able to recognize beauty.
If someone appears on television and makes a comment, and we quote that comment, we are being accurate. But are we actually being sensible if we don't know if that comment is based on any facts whatsoever? It is something that journalists have to be much more aware of.
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