A Quote by Sutton Foster
As actors, you meet people that you are working with and it's tricky. It's blurry... how do you decipher things? I have definitely dated [a co-star], oh yeah, multiple times. It's easy.
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After working so long on something like this, it's great to go out and meet people and see the reactions and remind yourself that, oh, yeah,, I wasn't just working in a cave by myself for no reason...
I knew a ton of actors and was friends with them, but I never dated actresses. I tried to date 'normal' people because the Hollywood dating rule is 'one star per couple' because it's quite a challenge to match the egos of two actors.
TV writing is tricky to navigate because you have so many different personalities - the actors, multiple producers.
For me, it's my work - I have a job, and that job happens to be with insanely talented actors. At this stage, it's normal to me. But when I meet new people, I realise, 'Oh, yeah, it's actually really strange. I have a very unique hobby.'
In entertainment, the technology began giving us greater choice and easier switching before almost any other area. The studios became much more dependent on the stars, not just star actors and directors but also star technicians, star cinematographers. It's a very important evolution in terms of understanding why people are working the way they're working.
I was out there meeting with a lot of working moms and whenever I would gather a group of women, there was always a voice that was unfamiliar to me, and it was the voice of a military spouse, oftentimes a woman, oftentimes working, many times in a position where they've had to move every two or three years, where their kids have had to change school multiple times, people dealing - families dealing with multiple deployments, dealing with the stresses of reconnection.
No matter how many times people say it - 'Oh, I'm just writing this for myself' 'Oh, I'm just doing this for myself' - nobody's doing it for themselves! You're doing it for an audience. So whether I'm performing or writing a book or playing music, it's definitely to be put out there and to be received in some way, definitely.
It's kind of impossible not to, especially in such a media-driven world.... But, yeah, I'll go home and one of my friends will say, "Oh my gosh, those shoes are so cute." And I'll say, "Oh, they're Christian Louboutins." And they're like, "What?" So yeah, I've definitely learned more names.
I think we're given multiple chances to meet multiple soulmates. Sure, you could meet a soulmate in highschool. But that doesn't mean if you don't act on it, you'll never meet anyone else. You will, just at a time that's more convenient for you.
Sometimes you just work, you work, you work, and you have no life, no boyfriend, you have no more friends, no more nothing, you just make movies, and you're tired, and you don't know why. Then everybody says, 'Oh you are so lucky, you are working!' And you're like, 'Oh yeah, oh yeah, it's so great!'
I could definitely rock out to Kraftwerk's "Tour De France," Tubeway Army, or Gary Numan. All of that stuff has an infectious beat, but with "Oh Yeah," I can't even identify what's going on. It sounds like typewriter keys, a couple of synth notes and then this really deep "Oh yeah," which I always picture as Andre The Giant on vocals.
I definitely get star-struck over - not so much actors and celebrities because I see them around and I work with some of them - but it's more things I'm not involved in that I get star-struck about.
I can't remember who it was - maybe Brian Eno - but some important musician guy said he recorded ambient noise from a city street and after he listened to these field recordings for the millionth time, it was like, "Oh yeah, at 1:23, that's where the car horn comes in." So when you're doing stuff like this, and you've been working on it for a year, you're like, "Oh yeah man, that makes perfect sense!" And then you forget when you give it to people, they're bewildered.
My mother was always working for a job, so I guess I was always trained that I should have multiple jobs, multiple aspirations. And I remember she had multiple aspirations, always hearing about her dreams and things she did in the past and things she wanted to do.
I really became aware of the fact that, oh yeah, whereas a lot of other shows are sort of cynical or jaded or just sort of coming from that sort of energy, our show is very, very about these love-based relationships. It really comes out, a lot of times, in a sweet way. And I think people find that refreshing about our show. That's one of the things I definitely picked up on.
Lysistrata: Oh, Calonicé, my heart is on fire; I blush for our sex. Men will have it we are tricky and sly...Calonicé: And they are quite right, upon my word!Lysistrata: Yet, look you, when the women are summoned to meet for a matter of the last importance, they lie abed instead of coming.Calonicé: Oh, they will come, my dear; but 'tis not easy you know, for a woman to leave the house. One is busy pottering about her husband; another is getting the servant up; a third is putting her child asleep or washing the brat or feeding it.
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