A Quote by Sylvia Plath

Sometimes I feel like I'm not solid. I'm hollow. There's nothing behind my eyes. I'm a negative of a person. All I want is blackness, blackness and silence. — © Sylvia Plath
Sometimes I feel like I'm not solid. I'm hollow. There's nothing behind my eyes. I'm a negative of a person. All I want is blackness, blackness and silence.
All I want is blackness. Blackness and silence.
The blackness of space was a big shock to me. It is a deep, three-dimensional, oily blackness. You can feel the distance.
My paintings are very much about the consumption and production of blackness. And how blackness is marketed to the world.
Do you like me?” No answer. Silence bounced, fell off his tongue and sat between us and clogged my throat. It slaughtered my trust. It tore cigarettes out of my mouth. We exchanged blind words, and I did not cry, I did not beg, but blackness filled my ears, blackness lunged in my heart, and something that had been good, a sort of kindly oxygen, turned into a gas oven.
Blackness, any sort of difference, is not a burden. Relegating blackness or other sorts of difference to serious books that explicitly engage with issues creates a context in which it can seem like one.
I never had a moment of realization about my blackness - I just was. Blackness was a central thread of my experience as a child and as an adolescent, as it is now that I'm an adult.
Being a black artist, the first thing people want to talk about is your blackness, the importance of your blackness and your black presence.
Being a black artist, the first thing people want to talk about is your blackness, the importance of your blackness, and your black presence.
Being conscious of Global Blackness is knowing that we are not an island of our struggle but a nation of our triumphs. That's blackness to me.
I am not renouncing my blackness and going on about my day. I am rejecting the legitimacy of the entire racial construct in which blackness functions as one orienting pole.
I am afraid. I am not solid, but hollow. I feel behind my eyes a numb, paralyzed cavern, a pit of hell, a mimicking nothingness.
Im not really about blackness, per se, but about blackness and whiteness, and what they mean and how they interact with one another and what power is all about.
I am lucky. I did not choose this life. It chose me. It's strange like that; not picking my path, but rather easing into the water and letting it carry me where it will. Yes, there will be nights where I feel like my destiny is at my fingertips and there will be nights I wish the lights were off and I could just make these sounds in the dark. Still, I will always be there, wherever there might be, staring into blackness hoping the blackness stares back at me.
So often, blackness is seen in a negative light.
Since I got to this country when I was 12, I've been obsessed with this idea of whiteness and blackness because I realized I was neither. For me, it was so important to me to make a film that focused on whiteness because you wouldn't have blackness if you didn't have whiteness.
I feel like I have a very typical west African physique, and that is part of my blackness!
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