A Quote by Sylvia Plath

I have done, this year, what I said I would: overcome my fear of facing a blank page day after day, acknowledging myself, in my deepest emotions, a writer, come what may. — © Sylvia Plath
I have done, this year, what I said I would: overcome my fear of facing a blank page day after day, acknowledging myself, in my deepest emotions, a writer, come what may.
I don't know what it is that makes a writer go to his desk in his shut-off room day after day after year after year unless it is the sure knowledge that not to have done the daily stint of writing that day is infinitely more agonizing than to write.
Yes, the fear of its blankness. At the same time, I kind of loved it. Mallarmé was trying to make the page a blank page. But if you're going to make the page a blank page, it's not just the absence of something, it has to become something else. It has to be material, it has to be this thing. I wanted to turn a page into a thing.
As a writer, if you have something on a page, you can start moving it around and get something you like. But if you have a blank page, it's just gonna be a blank page.
Editing is hard but nowhere NEAR as tough as facing that blank page and blinking cursor each day. You're all alone and no one else can do it. At least with editing you have someone in the trench with you.
I don't even subscribe to writer's block being a truthful thing. I've had writer's laziness quite often. But I think it's all about sitting down and facing down the blank page and doing it, and I've always been ok at that.
The listeners who buy books after a reading multiply that reading; the author who realizes that he or she may be writing on a blank page but is at least not speaking to a blank wall may be encouraged by the experience, and write more.
What did a happy ending even mean in real life, anyway? In stories you simply said, 'They lived happily ever after,' and that was it. But in real life people had to keep on living, day after day, year after year.
It may sound very strange, but I love the freedom that writing a novel gives me. It is an unhindered experience. If I come after a bad day, I can decide that my protagonist will die on page 100 of my novel in a 350-page story.
O Day after day we can't help growing older. Year after year spring can't help seeming younger. Come let's enjoy our winecup today, Nor pity the flowers fallen.
A writer is very much like the captain on a star ship facing the unknown. When you face the blank page and you have no idea where you're going. It can be terrifying, but it can also be the adventure of a lifetime.
Do I have bad days? Absolutely. But there are ways to overcome these things and that's perhaps what I do differently: I don't allow myself to dwell day after day on my imperfections.
Tomorrow morning the critic will be gone, but the writer will still be there facing the blank page. Nothing matters but that he keep working.
For the last few years I've tried to force myself to write at least one page every day, which doesn't sound like much but it's actually pretty hard to manage. Because I'm not allowed to do a make-up day. I can't do two pages the next day. The punishment for not completing my page is that I have to eat a vegetarian meal the next day.
I'm not sure that the benefit - as a writer and as a citizen - that I would get from reading at least the front page of the Times every day or every other day would outweigh the depression.
Finding beauty in a broken world is acknowledging that beauty leads us to our deepest and highest selves. It inspires us. We have an innate desire for grace. It's not that all our definitions of beauty are the same, but when you see a particular heron in the bend in the river, day after day, something in your soul stirs. We remember what it means to be human.
For me, writing never gets easier. It's always hard work. It doesn't matter how many words you wrote the day before, or how many novels you've completed in the last decade: every day you start fresh again with that same blank page, or that same blank screen.
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