A Quote by Sylvia Townsend Warner
A story demanded to be written, and that is why I have not answered your letter before: a wrong-headed story, that would come blundering like a moth on my window, and stare in with small red eyes, and I the last writer in the world to manage such a subject. One should have more self-control. One should be able to say, Go away. You have come to the wrong inkstand, there is nothing for you here. But I am so weakminded that I cannot even say, Come next week.
Quote Topics
Quote Author
Related Quotes
When somebody is a little bit wrong - say, when a waited puts nonfat milk in your espresso macchiato, instead of lowfat milk - it is often quite easy to explain to them how and why they are wrong. But if somebody is surprisingly wrong - say, when a waiter bites your nose instead of taking your order - you can often be so surprised that you are unable to say anything at all. Paralyzed by how wrong the waiter is, your moth would hang slightly open and your eyes would blink over and over, but you would be unable to say a word.
I do not wish to be misunderstood upon this subject of slavery in this country. I suppose it may long exist, and perhaps the best way for it to come to an end peaceably is for it to exist for a length of time. But I say that the spread and strengthening and perpetuation of it is an entirely different proposition. There we should in every way resist it as a wrong, treating it as a wrong, with the fixed idea that it must and will come to an end.
You are the epitome of the word selfless, you did something knowing you wouldn't be able to come home, knowing that your country would have very mixed feelings and yet your integrity on what you believe was right or wrong or should be public knowledge was more important to you than almost your own comfortability and the life that you had lived for so long. So I would like say thank you to him.
You see how wrong I go, how ridiculous I'm making myself in your eyes by keeping on guessing wrong like this! Doesn't that help you to come out with it? Come on now!
I think the American people would be compassionate and practical. But we need to be talking about assimilation as well, something that is politically incorrect, I know, to say that people should learn English, should learn American exceptionalism, shouldn't come here to use our freedoms to undermine the freedoms we give to everybody. But there's nothing wrong with saying people who want to come here should want to be Americans.
I don't watch myself on TV, I don't read the news clippings about me, so when people come up and say, 'What about that story last week?' I go, 'I didn't even know there was.'
To make a film with Rajinikanth will be a dream come true for any director, and I'm not an exception. But I always believe that it's the story that should drive you. If I come up with something like that, and if the story inspires me, I would be happy to work with him.
Once you capitulate to one dictator, does that mean that the next dictator or the next terrorist that says you're not going to make a comedy about - or a film at all about ISIS. All of us in public life have a responsibility right now to speak out and to say, 'No, Sony, you did the wrong thing' and to say to Hollywood, come behind - the other studios should come behind Sony and offer their support.
Plenty of people say my guesses about a future drought in the western U.S. (where I live and grew up) are wrong, so I don't see why I won't be wrong in some people's eyes when I go set a story on foreign shores.
I have cried even when the laugh did choke me. But no more think that I am all sorry when I cry, for the laugh he come just the same. Keep it always with you that laughter who knock at your door and say, ‘May I come in?’ is not true laughter. No! He is a king, and he come when and how he like. He ask no person, he choose no time of suitability. He say, ‘I am here.
Next to being right in this world, the best of all things is to be clearly and definitely wrong, because you will come out somewhere. If you go buzzing about between right and wrong, vibrating and fluctuating, you come out nowhere; but if you are absolutely and thoroughly and persistently wrong, you must, some of these days, have the extreme good fortune of knocking your head against a fact, and that sets you all straight again.
I want the younger writer to know that she or he is meaningful, that what they have to say is powerful in this world. But they can't come indoors, they can't close the curtains, they can't, like, lock themselves away from the world and say nothing.
When I am working on a book or a story I write every morning as soon after first light as possible. There is no one to disturb you and is it is cool and you come to your work and warm as you write. You read what you have written and, as you always stop when you know what is going to happen next, you go on from there. You write until you come to a place where you still have your juice and know what will happen next and you stop and try to live through until the next day when you hit again.
The particular, eternally persisting, elementary physical stuff of the world, according to the standard presentations of relativistic quantum field theories, consists (unsurprisingly) of relativistic quantum fields... They have nothing whatsoever to say on the subject of where those fields came from, or of why the world should have consisted of the particular kinds of fields it does, or of why it should have consisted of fields at all, or of why there should have been a world in the first place. Period. Case closed. End of story.
Government's running the student loan program; what in the world could be wrong with it? If the government's running it, if Obama's taken it over, and he's got a lot of compassion, a big heart, loves people, what could possibly be wrong with it? And then the subject of tuition came up, and how come tuition never gets cut? Why does tuition always go up? Guarantee, folks, when you subsidize something, if you run a university and the government's gonna subsidize parts of your operation, why in the world should you cut anything?
You have to say what comes into your head, and sometimes the wrong words come, in the wrong order or I'd make prophecies which immediately turned out to be wrong.
Related Authors
Charles Bukowski Quotes
American
Novelist
Charles Dickens Quotes
English
Novelist
Chuck Palahniuk Quotes
American
Novelist
Ernest Hemingway Quotes
American
Novelist
George Eliot Quotes
British
Novelist
George Orwell Quotes
British
Novelist
George R. R. Martin Quotes
American
Novelist
Jane Austen Quotes
British
Novelist
Johann Wolfgang von Goethe Quotes
German
Novelist
Margaret Atwood Quotes
Canadian
Novelist
Nicholas Sparks Quotes
American
Novelist
Paulo Coelho Quotes
Brazilian
Novelist
Sarah Dessen Quotes
American
Novelist
Stephenie Meyer Quotes
American
Novelist
Veronica Roth Quotes
American
Novelist
Victor Hugo Quotes
French
Novelist