A Quote by Synyster Gates

I used my Schecter for all my rhythms and most of my solos, certainly the fast solos. — © Synyster Gates
I used my Schecter for all my rhythms and most of my solos, certainly the fast solos.
Every girl is a singer. I wanted to learn the solos and play lead guitar. I would meticulously teach myself solos so when dudes were like, 'Oh, you're a girl, you can't play guitar,' I could rip these insane Telecaster blues solos and tell them, 'Yeah, I can burn up a fret board.'
Guitar solos, to me, should be a really articulate way to make fun of guitar solos.
Guitar solos bore the hell out of me. Only a few guitarists interest me, and it's not about the solos they play, it's about the grooves they create.
Listen to the great guitarists of the Fifties. They didn't do that nasty sort of industrial distortion. They played musical compositions as solos - Scotty Moore, Cliff Gallup, Django Reinhardt. There wasn't a bad note in any of those solos. I listened to that and stayed with those rules.
With my first high school band ever, we would have these breaks in the song for idiotic solos, solos that were un-tasteful and would be shredding, but I needed to put them in there, and I realize now it's because we were playing shows with a whole bunch of bands that were all male.
I got home, picked up my ax, turned on the four-track and just played it ... I played three solos back to back on Cemetery Gates ... the next morning, the second and third solos weren't bad, but the first had that first take magic ! .. I didn't touch it.
Corina Bartra is a very intriguing singer. On Son Zumbon ... the music utilizes tricky rhythms, the leader's haunting voice, and plenty of short solos. There is no lack on intensity in this program.
Listening to as many guitar solos as possible is the best method for someone in the early stages. But saxophone solos can be helpful. They're interesting because they are all single notes, and therefore can be repeated on the guitar. If you can copy a sax solo you're playing very well, because the average saxophonist can play much better than the average guitarist.
I love extended solos. I used to like them in the old days a lot, because it used to give me time to go to the pub for a drink.
Rihanna is so into rock, and she gives me an empty canvas to work with. I get to do wild solos and crunch up the rhythms. It's rock, it's R&B, it's hip-hop, it's funky - all totally up my alley.
My favorite solos are all very melodic. Those are the ones that are the most memorable.
I don't really break into too many solos. But I've never been a super-big solo guy anyway. I like to make the main melody guitar lines of the songs as cool and interesting as possible without just strumming chords. I like to have chords intertwined with riffs here and there, but I'll do the riffs and the solos where the bottom will drop out. Basically, I do everything for the song, I don't do it for the solo glory. Kids aren't really into that anymore for some reason.
I try to look at most of my solos as a musical piece within the song, not, say, showing off.
Most jazz players work out their solos, at least to the extent that they have a very specific vocabulary.
I love my climbing shoes. Virtually all of my big solos have been in the TC Pros. They are the most important thing when I'm soloing.
I used to hear all these guys on 78s at my mother's when I was a teenager... I used to daydream that I was onstage playing the solos; I'm playing with B.B. King, and I'm playing with Lowell Fulsom, Jimmy McCracklin. And I literally ended up being in a band that backed them up at different clubs.
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