A Quote by Synyster Gates
We're very much perfectionists, so when we're putting on a huge show and want to play to the best of ability, we rehearse intensely. And I have a guitar pretty much in my hand for at least five hours before doing a show. I'm just noodling and mucking around and working on some of the songs here and there.
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I'm part of this show called "Shots Fired" that is premiering on FOX. It's right after the Super Bowl. It's a pretty incredible show. I'm pretty much the voice of the show, so the voice of the opening credit record and the songs in between is pretty much my voice.
I would say we had two goals when doing this CD. The first goal is to introduce people who have never seen the show before to the best comics that are on the show. And goal number two is to introduce people that they never heard of before and give you a bit more flavor of what the show is actually like. And those goals are very much in line with the philosophy of the show from the very beginning. It's the very best people who are out there.
There is no reason why a guitar player makes the guitar-playing faces. It doesn't help you play guitar. You've not improved your skills. It's because you're up onstage, and the natural inclination is to put on a show. The rock guy faces are just as much of a front or a show as us wearing crazy makeup. It's just a different scale.
I wanted to show off - a simple impulse or drive; in much the same way as some kids wanted to play football, I wanted to show off. Not complicated in that sense, very natural; it just depends on how you want to show off.
To do more of a concert thing, it takes so much preparation. You don't just show up and wing it. You're putting countless hours in the studio, not just to write and produce stuff, but to come up with edits and special things for the show.
Some people would call me a workaholic. I don't consider this time: I just love my work so much, so it's my real hobby, OK? And, yeah, getting some play during working hours for which you are paid is the best job I can recommend for anyone around!
When I was 16, I was working on 'Arrested Development.' My memories of being 16 were just trying to keep up with school while doing the show and trying to be around all those people on the show, as much as I could.
It's very difficult for me to travel now without music just because I'm so spoiled. It's a huge luxury to go and play your music for all these people around the world and having come up to you in a special way - they really want to show your their city, or really want to show you where they are from. If you are just traveling, you don't get that same welcome.
I was going to hang it up on the twenty-fifth year of this show. I don't know why. Maybe twenty-five years is enough. And I found out that I was having so much fun doing the show that we decided to stick around for a while.
I still believe in the old-school show thing no frills, no fancy equipment just a guitar and some amps and some drums, and throw it out there and do it the best you can in a live sense, because it's easy to make records. But the live show is where you really show if you've got the balls to do it.
I go for as much feeling as I can rather than show what I can do up and down the neck. I don't play to show people ability.
I value very much the time before the show, when there is nothing else but to concentrate on the show, and it's just purely design.
I'm not great at fear. I made the least frightening vampire show ever on TV. I'm pretty much good at heroic narratives and making people laugh, and that's pretty much it.
When you write a show, you just never know if it will have a future or if the show will end up ever having a production, but, that doesn't mean that the songs - the best of the best songs - can't be pulled out and put on a CD. And, if the shows that they come from end up happening, then people will regard this as like a quirky little concept recording. And, if the shows don't end up happening, at least the songs will live on in some capacity.
I leave for the show at least an hour ahead, and I do some vocal warm-ups, and that's pretty much it.
The best shows I've done, the writers, actors, and directors have been pretty much left alone - maybe given a little guidance to make it a little more this or more that. But the heavier the hand on the show, I find, the more troubled the show is.
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