A Quote by Taeyang
I'm certain that I will be able to do music that's more like me as I get to know more about myself. I think that is an artist's fate. You have to keep trying to find your own world and express it.
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It's one thing to be able to sing well, but another to be an artist and find your own voice within music. And that's what the goal was for me in my teenage years. I had to find myself.
K. Dot was a kid who was trying to find himself in music, finding trends, um, bending towards - ready to bend towards what the industry was telling me to do and after you mature at a certain time in your life, you come into your own...your own niche, your own personality, not only as an artist but as a person.
Even myself, I believe that as an artist I should pursue more independent activities. If more artists believe in this and are active about it, they will be able to accomplish more on their own, without the influence of entertainment labels.
I've been trying to learn how to not be so conflicted about things like my own anger. I've always had a place in my music for my anger as a way of compensating for not having a mechanism to express it in my everyday life. So I've been trying to be more true to myself, and that helps me to chill out a little bit. But politically, uh-uh. No.
I think of myself more as a director than as an actress. But I do like to perform and express myself in different ways, and I'll keep on doing so, provided I can find interesting roles.
I used to think that when I got older, the world would make so much more sense. But you know what? The older I get, the more confusing it is to me. The more complicated it is. Harder. You’d think we’d be getting better at it. But there’s just more and more chaos. The pieces—they’re everywhere. And nobody knows what to do about it. I find myself grasping, Nick. You know that feeling? That feeling when you just want the right thing to fall into the right place, not only because it’s right, but because it will mean that such a thing is still possible? I want to believe in that.
It's quite liberating to get to a certain age, 'cos you're not chasing number one hits or trying to be an international superstar. I've done all that. I'm not out to prove much more to anyone but myself really, to be an artist and see if there is a new undiscovered music out there for me to make.
You might be able to get a certain sound, and in the studio you certainly look at things under a microscope a lot more. You might hear more warmth out of a thicker string gauge. But in the practical world, like with us, we're playing An Evening With... so it's three hours of music, and our music is pretty challenging as far as the technical aspect. And I found after awhile that I was killing myself.
For whatever reason, the success still blows my mind - that I'm able to talk to people about the music I've written. I always felt like there was something there because you don't put out music unless you have a sense that people will maybe like what you're doing or you're standing for something artistically. I don't mess with that. It's more about just music and trying to keep the integrity, I guess.
I play piano and guitar and I do write my own stuff so to a certain extent I know what I want to do in regards to music. But I'm still finding out what kind of music is my favourite kind to listen to, never mind do myself so I've got a lot of time to find out myself and develop myself as an artist.
I think our music is more about seeing ourselves in each other and trying to find a more humanistic viewpoint for the world.
I dream about speaking in big forums about issues that need to be spoken about. I dream about helping others who I know and love, helping them realize their dreams. I dream about being able to express myself through acting and writing, definitely. I dream about bringing more realism into the world. Sometimes I just feel like certain things are so glossed over and covered up and swept under the rug and I just want to bring them out.
I was interested in a whole range of music that I used to play, popular music -- particularly American music -- that I heard a lot of when I was a teenager," "I think at a certain point it dawned on me that myself playing this music wasn't very convincing. It was more convincing when we played music that came from our own stock of tradition. ... I certainly feel a lot more comfortable playing so-called Celtic music.
The nice thing about a documentary, I think, is that so much of it is editing, too. You sort of get to keep making decisions. It's not as much like when you do a narrative, fictional piece, and you have a certain number of shooting days, and you're like, "Well, that's what it is." You can continue to seek out more photographs or try to find more footage. The genre gives you the ability to keep working on it, which is great for a first-time director.
I always worked as an individual artist even when Group Material asked me to join the group. There are certain things that I can do by myself that I would never be able to do with Group Material. First of all, they are a totally democratic entity and although you learn a lot from it, and it's very moving, it's very exacting, everything has to be by consensus, which is the beauty of it, but it is much more work. It's worth it 100%. But as an individual artist there are certain things that I want to bring out and express, and the collaborative practice is not conducive to that.
Not that I say,"Oh,I'm not going to associate with certain people.," but I have my world,and I only want to be around people who I feel stimulated by. I have to be honest I do have a new quest: I want to meet more vegetarians,people who are more like minded. There's something real neat about that feeling. It makes you feel so settled to know there's somebody else sitting right there,being so passionate about what I'm passionate about. I don't want to be around selfish people. I try to keep myself surrounded by deep people who will move me.
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