A Quote by Tananarive Due

Somehow, I realized I could write books about black characters who reflected my own experiences or otherworldly experiences - not just stories of history, poverty and oppression.
That larger story in 'Salvage the Bones' is just about survival, and I think that, in the end, there are things about this novel and about these characters' experiences that make their stories universal stories.
I think it's important to encourage young people to tell their own stories and to speak openly about their own experiences with the criminal justice system and the experiences of their family. We need to ensure that the classroom environment is a supportive one so that the shame and stigma can be dispelled.
All of my books are based in some way on my personal experiences, or the experiences of members of my family, or the stories kids would tell me in school.
I write about kids growing up, I write a lot about schools and parents, and all of my experiences with those things have been suburban experiences.
Whenever I write about motherhood - and I write about it a lot - I am drawing on my experiences as a mother and also my experiences as a daughter.
My process for determining which eras I'd write about was to just read history books that gave a really broad overview of Chinese history. And when I came across a historical figure or a historical incident that was especially interesting to me, ideas for characters and stories would surface.
While books expand horizons by exposing us to worlds outside our own, children also need to see themselves, their experiences and their cultures reflected in books they read. Unfortunately, for too many children, this is not the norm.
I would like to think that as a result of not just my own experiences, but at least being empathetic and compassionate about other people's experiences and plights and tragedies, that I am affected by it and learn from it.
It did occur to me that certainly African-Americans are not underserved in picture books, but those books are almost all about specifically black experiences.
I knew I couldn't do what Eddie Izzard does, so I just tried to write some stories that were based, or partly based, on my own experiences.
Of course, all writers draw upon their personal experiences in describing day-to-day life and human relationships, but I tend to keep my own experiences largely separate from my stories.
I meditated on my own for some time, read spiritual books, became a vegetarian and had incredible experiences every day, every meditation, where I was just thrown into the infinite - never realizing that other people didn't necessarily have those experiences in meditation that quickly.
There is a tendency to presume autobiography in fiction by women or minorities. Guys named Jonathan write universal stories, while there's this sense that everyone else is just fictionalizing their own small experiences.
For me, writing became a way of processing not just my own experiences, but the experiences of other people, and their pain.
At 13 years old, I realized I could start my own band. I could write my own song, I could record my own record. I could start my own label. I could release my own record. I could book my own shows. I could write and publish my own fanzine. I could silk-screen my own T-shirt. I could do this all myself.
It was the desire to see black girls and our experiences in the books that I was given to read at school that forced me to speak my truth. I launched #1000BlackGirlBooks, a book drive to collect the stories of women of color.
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