A Quote by Tate Donovan

I'm a huge David Lindsay-Abaire fan. If I could write, I would want to write like him. — © Tate Donovan
I'm a huge David Lindsay-Abaire fan. If I could write, I would want to write like him.
One of the reasons I admire David Lindsay-Abaire's work is that he, like the Greeks I've spent so much of my professional life contemplating, is not afraid of taking on the big stuff - huge, human, moral issues - what do we owe to those we love?
Like everyone, I was a huge fan of David Boies, and from what I knew about him, I thought he might 'get' me. So I sent him an email. I said I want to practice law but that I didn't want to stop writing and I asked if there was any way I could practice law for him.
The only kind of film I want to write is a story where I can keep on seeing the stories play out. I'm a huge television fan, and I'm a huge continuing storyline fan.
I thought Cheever was magnificent and that if I could write like him that would be the best I could do. And then I realized that what I really wanted to write had nothing to do with what he was doing.
I write for fanboy moments. I write to give myself strength. I write to be the characters that I am not. I write to explore all the things I'm afraid of. I write to do all the things the viewers want too. So the intensity of the fan response is enormously gratifying. It means I hit a nerve.
I love to write. I used to be a math teacher. And I like the idea that other people could write about the same subjects, but no one would write it just the way I do. It's very individual: a child could write the same story as somebody else, but it wouldn't come out the same.
If I could pick one reason why I want to be a writer, it would be connection. In all kinds of ways, I like to be individual and distinct; but when I write, I want to be writing about things that connect me to the people for whom I write.
I write because I have an innate need to. I write because I can't do normal work. I write because I want to read books like the ones I write. I write because I am angry at everyone. I write because I love sitting in a room all day writing. I write because I can partake of real life only by changing it.
I would like to write my biography sometime. I love to write. I could write for weeks and weeks, maybe say nothing but just for the writing.
I was a huge 'Deadwood' fan because I'm a huge David Milch fan, so I've always wanted to play something like Calamity Jane on 'Deadwood' and just be the biggest Western tomboy girl, ever.
I would be so mad if I saw something called a memoir, and then it was Mike Birbiglia. It would be so infuriating. It's like, 'Who is this guy, and why does he have a memoir?' David Letterman could write a memoir. Joan Rivers could. I'm just a nobody. I'm a comedian and a writer.
I can't write anything for myself. I can write when I hear like [John] Coltrane play something; I used to write chords and stuff for him to play in one bar. I can write for other people, but I don't never write for myself.
I think probably the thing I'm worst at is the most ephemeral stuff, like blogs. I find it really hard to write. And I'm often been asked to write columns for papers in Peru. And I can't. I would die. There's no way I could write a column.
I was completely dumbfounded because not only am I a huge fan of David Simon, but I'm a huge fan of Philip Roth.
I think from a major-label perspective, if you were on the flip side of things and that's the world you were used to working in, your interpretation could be, "Oh, they're having trouble writing songs," when really it's like, "No, I'm not ready to write songs, I don't want to write a song right now, if I did write a song, it would be forced."
Sometimes you have producers tell you 'I'm a huge fan, I'm a huge fan.' But David Guggenheim, I have so much love for this dude.
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