A Quote by Taylor Swift

My experience with songwriting is usually so confessional, it's so drawn from my own life and my own stories. — © Taylor Swift
My experience with songwriting is usually so confessional, it's so drawn from my own life and my own stories.
When you're songwriting, it's like talking about your own life experience. When you're with a band, you have to compromise.
I get told I'm a confessional songwriter, which gets on my tits because I think of negative connotations attached to the word "confessional". I don't like the idea of songwriting being therapy. I don't want to put myself so directly in the foreground.
Stories have inspired me all my life. I like reading about what other people have done and it inspires me to share my own stories, and encourage people to make their own life stories.
Songwriting was my own journey. I never fit in with structure in songwriting.
In my experience, writing a novel tends to create its own structure, its own demands, its own language, its own ending.
As a reader I don't distinguish between confessional and non-confessional work. After all, how do we even know that certain "I" poems are confessional? It's a tricky business, this correlating of the speaker and the poet.
We're all subjective beings and trapped in our own realities and our own biographical stories and physical bodies and our histories - and that's the only way we can experience the world.
When I do my own books, I take it as more of my own confessional, but when I illustrate for other people, it is intriguing because I feel like I shouldn't be stepping too much into the limelight. It's like playing the piano while someone else is singing.
Love and happiness inextricably combined? I wanted love stories to coincide with war stories, I wanted hope for my characters, I wanted a sense of a future. So do they. So does the reader. But perhaps I shouldn't speak for everyone when I say that love and happiness are interdependent. In my own experience, happiness came with love. Specifically, my wife. That's when my own apathy and stasis ended for good.
There's a standard of songwriting that, when you start immersing yourself in those types of songs, it raises your own bar as a songwriter. There's also simplicity in the songwriting. It's much harder to be simple than it is to be complicated.
Fifth Harmony as a group represents more confidence, more girl power, more unity. They're anthems, as opposed to confessional songwriting about one person's life when there are five individual women.
One of the problems with a lot of "confessional" writing is that it starts and stops with the confessional and doesn't really tie the "I" into a "we" at all. I'm still surprised at how mad critics get at that kind of confessional writing.
Each song has its own secret that's different from another song, and each has its own life. Sometimes it has to be teased out, whereas other times it might come fast. There are no laws about songwriting or producing. It depends on what you're doing, not just who you're doing.
Anyone involved with songwriting will testify to the fact that each song, no matter how pure or from the heart, has its own story, its own peculiar way of getting written.
We need to have more women founders stepping up to kind of own their own story and ask for what they want and tell success stories and start really building confidence that these stories are out there.
Not that there is anything wrong with confessional songwriting, there are plenty of people that do that I admire. I think it is great; it just isn't how I do things.
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