A Quote by Ted Gup

The mechanics vary from place to place and from office to office. The handling of SBUs can be different in the same agency just across the hall, one from another. There are virtually no standards.
Quantum mechanics is just completely strange and counterintuitive. We can't believe that things can be here [in one place] and there [in another place] at the same time. And yet that's a fundamental piece of quantum mechanics. So then the question is, life is dealing us weird lemons, can we make some weird lemonade from this?
An office is a place to... live life to the fullest. To the max. To... an office is a place where dreams come true.
You come to work because the office is a resource: The office is a place where you can meet with other people, and the office has libraries of books and information on CD-ROM that might help you with your work.
Cuba was fantastic, at least just in terms of... Not to romanticize or glorify it, but just seeing a place that had not really been touched by the hand of American capitalism. Because it's a genuinely different place. A lot of times when you travel, things start to feel the same from place to place to place, because the same people own everything all around the world.
My desk is more of a place where I set my stuff, and then I move around. If I'm at the office, I'm usually wandering around to different meeting rooms all day or taking people out or making tea. I'm rarely at my desk; it's just a place to hang my hat.
Magic Johnson was in the seventh year of his Hall of Fame career when thoughts of his basketball afterlife led him to the office of uber-executive Michael Ovitz, co-founder of Creative Artists Agency, Hollywood's most powerful agency.
Ask for the sale when the mood is right. The worst possible place is in the prospects' office. Best place is a business breakfast, lunch or dinner. Next best is your office. Next best is a trade show. Ask early, and ask often.
I have traveled to a lot of places, and you look at another young person who lives under very different circumstances than you but has the same dreams or the same interests or might be better at what I do than what I do. But I was born in a different place, and she was born in a different place. Just for that alone, you're kind of inherently given opportunity. That's something that I'm very grateful for, but I'm also very aware of.
I love the Country Music Hall of Fame. I don't think it's just a hall of fame and it's not just a museum. It's a schoolhouse. It's a place where people from all across the world can come and learn about this great genre that we're making a living out of.
In school, the year was the marker. Fifth grade. Senior year of high school. Sophomore year of college. Then after, the jobs were the marker. That office. This desk. But now that school is over and I've been working at the same place in the same office at the same desk for longer than I can truly believe, I realize: You have become the marker. This is your era. And it's only if it goes on and on that will have to look for other ways to identify the time.
I'm trying to write poems that involve beginning at a known place, and ending up at a slightly different place. I'm trying to take a little journey from one place to another, and it's usually from a realistic place, to a place in the imagination.
One code prevails in the family; another, on the street; a third, in the workshop or store; a fourth, in the religious association. As a person passes from one of the environments to another, he is subjected to antagonistic pulls, and is in danger of being split into a being having different standards of judgment and emotion for different occasions. This danger imposes upon the school a steadying and integrating office.
I walk into office, which is the casting office for CBS in New York. Mainly what they cast out of this office was the CBS daytime shows. I go in and walk into this room which every seat is filled with young African-American boys and girls and they were in their teens. I went, "I'm in the wrong place. Why am I here? What's going on?"So I go in and meet Norman [Lear].
I've evolved, but I'm the same dude, I'm just in a different place. We all change, we all grow. I shouldn't be in the same place that I was 30 years ago; I should be more intelligent, you know.
I don't really do that much office work. I just go to the office, and I'm like Steve Carell in 'The Office.' You know, like, I just go around and like - I don't know what I do in the office. I look at paperwork and act like I'm understanding what's going on there, and I shake my head and put my hand on my chin and like, 'Hmm.'
I am a junior senator, ninety-fifth on the seniority list, and so by Senate standards, my office in the Russell Senate Office Building is less than splendid.
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