A Quote by Ted Leo

I think I'd like to see CDs disappear. Too much plastic crap lying around. If I want some music these days, I'm gonna either get as MP3s or on vinyl. — © Ted Leo
I think I'd like to see CDs disappear. Too much plastic crap lying around. If I want some music these days, I'm gonna either get as MP3s or on vinyl.
I love every type of listening format, from MP3s to CDs to vinyl. There's something special about each one. It's a sign of the times. I love looking back, and even putting new music on vinyl - if it's right!
I play vinyl and CDs. Playing vinyl is the best sound quality you can get playing music loudly, so that's the main reason I do that.
I think it's important for people who love music to retain physical CDs or even vinyl, because it sounds so great and so much warmer than music over the internet.
Be yourself and do what you actually like doing as an artist. Don't try to think too much about where am I gonna fit in here, and how is this gonna be received, and who is gonna like this? Just do what you like doing and make sure that you enjoy doing it. If you do that and you get good at it by practising, then people are gonna come around - there's so many people out there that listen to all kinds of music. It's important to just do what you like, otherwise the fun gets sucked out of it.
If I'm on a train, with headphones, MP3s are great. At home, I prefer CD or vinyl, partly because they sound a little better in a quiet room and partly because they're finite in length and separate things, unlike the endless days and days of music stored on my laptop.
A lot of people that buy vinyl today don’t realise that they’re listening to CD masters on vinyl and that’s because the record companies have figured out that people want vinyl, And they're only making CD masters in digital, so all the new products that come out on vinyl are actually CDs on vinyl, which is really nothing but a fashion statement.
I played a lot of acetates at the end of my vinyl period - I used to make tracks and get them pressed in four or five days - but the quality was always so bad and they would skip all the time. The vinyl days for me are over. I still buy vinyl, but only albums, and just to play. For DJing, vinyl is a nightmare.
Vinyl is so outdated nowadays. I can make a track in my hotel room today, and play it for the crowd tomorrow. That never happens with vinyl. I played a lot of acetates at the end of my vinyl period - I used to make tracks and get them pressed in four or five days - but the quality was always so bad and they would skip all the time. The vinyl days for me are over. I still buy vinyl, but only albums, and just to play. For DJing, vinyl is a nightmare.
I like keeping music in front of people. I try to sell at shows as much as I can - setting up a distro table and bringing out crates of vinyl and some CDs. That's my favorite way to sell because you're actually face-to-face with the customer.
Because music wasn't free yet, they wouldn't really offer MP3s so you had to buy things to see if you liked it or not. Which is crazy if you think about how much music you bought and then didn't even like the stuff. It was a different world where bands made money off their music.
I like to write. Sometimes I'm afraid that I like it too much because when I get into work I don't want to leave it. As a result I'll go for days and days without leaving the house or wherever I happen to be. I'll go out long enough to get papers and pick up some food and that's it. It's strange, but instead of hating writing I love it too much.
Ability to download music for free might not be positive for the artists to get royalties, but in some ways it's still good that people can get your music, and hopefully in the course of that, people will want to see you live, around the world shows. It might get you to where you get to travel all over the planet. 'Cause now people are hungry: "Oh, I wanna see this guy, I wanna hear this music live, I wanna see if they're gonna remix it or funk it up differently when I see them."
One of the criticisms we get is, Does the world need more plastic crap? But you have to look beyond the plastic crap, to the design, to the experience, to the empowering nature of the MakerBot and the community.
One of the criticisms we get is, 'Does the world need more plastic crap?' But you have to look beyond the plastic crap, to the design, to the experience, to the empowering nature of the MakerBot and the community.
Vinyl, CDs or laptops, it doesn't matter - you should use whatever you're comfortable with. If you're on the dancefloor and there's good music coming out of the speakers, that should be enough. If you're standing there storing your chin going: 'This would sound better if it was on vinyl', yes it might do, but at the end of the day, people want to go to a party.
I still do mostly listen to CDs. I think that every format really is a different way of listening. If you take a different sort of psychological stance to it - like, I think the transition from vinyl to CD definitely marked a difference in the way people treated music. The vinyl commands a certain kind of reverence because it's a big object and quite fragile so you handle it rather carefully, and it's expensive so you pay attention to how it's looked after.
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