A Quote by Temple Grandin

My mind works like Google for images. You put in a key word; it brings up pictures. See language for me narrates the pictures in my mind. — © Temple Grandin
My mind works like Google for images. You put in a key word; it brings up pictures. See language for me narrates the pictures in my mind.
My mind works like Google for images. You put in a key word; it brings up pictures.
Language for me narrates the pictures in my mind.
Language for me narrates the pictures in my mind. When I work on designing livestock equipment I can test run that equipment in my head like 3-D virtual reality. In fact, when I was in college I used to think that everybody was able to do that.
The mind has a mind of its own. It shows us pictures. Pictures of the past and the might-one-day-be. This mind's mind exerts its own will, too, and has its own voice.
My mind sort of works like a search engine. You ask me something, and I start seeing pictures.
I think control is the wrong word. I would put it this way. You see a lovely girl across a crowded room and you walk toward her with hope in your mind. That's the way [my] pictures are made.
The six and one-fourth hours' television watching (the American average per day) which non-reading children do is what is called alpha-level learning. The mind needn't make any pictures since the pictures are provided, so the mind cuts current as low as it can.
I really did put up all my wedding pictures on my website. And I swear to you, my wedding pictures got downloaded just as much as my bikini pictures.
The pictures are created by the listener, with a little help from the broadcaster. The pictures are perfect. If you're showing pictures, different things in that picture can distract from the spoken word.
Pictures! Pictures! Pictures! Often, before I learned, did I wonder whence came the multitudes of pictures that thronged my dreams; for they were pictures the like of which I had never seen in real wake-a-day life. They tormented my childhood, making of my dreams a procession of nightmares and a little later convincing me that I was different from my kind, a creature unnatural and accursed.
The original interest in making pictures that don't directly depict came around '97 or '98, when I felt there was such an acceleration of images in the world, and that was before Flickr and so on. So I felt a need to slow down how one consumes photographs. With the abstract pictures, I was engaged in trying to find new images, but in practice, it was a bit like throwing a wrench in the spokes. The omnipresence of photography is at a level that it has never been in the history of the world. I feel really curious to now reengage and see what the camera can do for me.
All the good pictures that came so easily now make the next set of pictures virtually impossible in your mind.
It is only by loving nature, and going to her for everything, that good work can be done; but then we must look to her for the materials for pictures, not for pictures themselves. It is nature filtered through the mind and fingers of the artist that produces art, and the quality of the pictures depends on the fineness of that filter.
You know, I put my little brother in the movies and he's still in the pictures. My mother makes me put him in the pictures.
New insights fail to get put into practice because they conflict with deeply held internal images of how the world works...images that limit us to familiar ways of thinking and acting. That is why the discipline of managing mental models - surfacing, testing, and improving our internal pictures of how the world works - promises to be a major breakthrough for learning organizations.
Distinction between species and specimen is very much like the distinction between images and actual pictures, or, you know, objects that have a definite material identity. The classifications, the categories, the stereotypes, and the images are on one side, and the material pictures, statues, texts, and so forth are on the other.
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