A Quote by Terence McKenna
You are some kind of a mystery suspended between two eternities. And in that moment, when a mind looks out at a world and asks the question, ‘What is it?’ In that moment art can be created.
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Life is a fragment, a moment between two eternities.
I write some art criticism, and one thing that's clear to me is that politics is fashionable in the American art world in a way it maybe isn't in American fiction. Your work of art becomes fashionable the moment it has some kind of political commentary. I think this has its dangers - the equation between fashion, politics, and art is problematic for obvious reasons. Nonetheless, the notion of politics as being de rigueur in the world of fiction is almost unthinkable. In fiction in America at the moment, the escape into whimsy is far more prevalent than the political.
I sometimes feel that I am trying to dig in the world around me. I'm involved in another kind of archaeology to look for another kind of truth, and the moment I find, the moment I am separated from that life, the moment I am sort of in a world, every time I have gone out and performed in the, in the cinema for example, if you do two or three films on the trot you suddenly have this impression that you're becoming separate or separated from the world around you.
On some positions, Cowardice asks the question, 'Is it safe?' Expediency asks the question, 'Is it politic?' And Vanity comes along and asks the question, 'Is it popular?' But Conscience asks the question, 'Is it right?'
The meeting of two eternities, the past and future....is precisely the present moment.
The world wasn't created. It is created anew at every moment by mind.
Have you ever had one of those moments when time just freezes? You know, when the world suddenly goes deathly still, and you could hear a pin drop, and the squishing sound your heart makes is so loud in your ears you feel like youre drowning in blood, and you stand there in that suspended moment and die a thousand deaths, but not really, and the moment passes and dumps you out on the other side of it, with your mouth hanging open, and an erased blackboard where your mind used to be?
What interests me is to paint the kind of antisensitivity that impregnates modern civilization. I think art since Cezanne has become extremely romantic and unrealistic, feeding on art. It is Utopian. It has less and less to do with the world. It looks inward - neo-Zen and all that. Pop Art looks out into the world. It doesn't look like a painting of something, it looks like the thing itself.
You accept things as they are, not as you wish they were in this moment...The past is history, the future is a mystery, and this moment is a gift. That is why this moment is called the present.
I like trains. I like their rhythm, and I like the freedom of being suspended between two places, all anxieties of purpose taken care of: for this moment I know where I am going.
WCW had its moment, and that's what it was: it was a moment. And we created some great stories and changed the industry to a large degree.
We are here to live moment by moment, and each moment brings a task, a challenge, a goal. It's good to have big goals, but we need to connect the dots between where we are and where we are going, one day, one moment at a time.
There wasn't a single day in which the world was created. It's created anew at every moment. The structures of eternity are completely fluid but they are bound together by the mind forming a nexus point so reality comes into being.
Have you seen this video of these cows who have been in a dairy farm, a really shitty one, their entire lives, and they're let out into a field, and they're literally jumping with joy? It's crazy. I don't have any trouble completely becoming that cow. There's no "What is it really like to be a cow?" kind of question anymore. There's no question at that moment whether I understand you completely. I think there is, in that moment, a possible total sympathy. Total sharing.
I saw bubbling lava, and at the same moment I saw a reflection of a certain kind of inner turmoil. Because at the moment I looked into that crater, I slipped, and a large piece of volcanic rock took a hole out of my leg. The scar is still there 20, 30 years later. But it's one of those things that reminds you of the kind of risk or the kind of moment in order to push yourself.
The ego always looks toward the next moment for some kind of fulfillment.
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