A Quote by Terence Winter

To get to work with my idol, Martin Scorsese, has just been lovely - the highlight of my career. — © Terence Winter
To get to work with my idol, Martin Scorsese, has just been lovely - the highlight of my career.
I love Martin Scorsese, but there's another indication of what The Oscars are all about. They've ignored Martin Scorsese for going on 35 years now, and I wouldn't be surprised if they passed him over again. He'll get one of The Oscars they give you at the end of your life because they feel guilty for never giving you an Oscar.
Martin Scorsese was very much the actor's director. We were all very in awe of Martin Scorsese.
I got really into Martin Scorsese as a teenager, so then it was kind of the whole reason I wanted to be an actor. Just like tons of young actors, I think, get freaked out by the Scorsese/DeNiro movies. I loved all his movies in the '90s, too. Then I got a part in 'The Aviator' and couldn't believe it.
The 2001 tour to Australia would have been a great highlight in my career if the Lions had won the series. That might sound strange because it was a great tour in many ways, but, for me, the more time goes by, the less of a career highlight it becomes, and just more of a frustration.
[Martin Scorsese ] basically works just like any other director. You work the scene, you try to find what's best in it and make it work. That's what it was like.
I would love to work with Martin Scorsese.
It's tough to get any film made, even if you're Martin Scorsese. It's just hard to get films made.
Martin Scorsese was being given an honorary doctorate, and one of the tutors asked if there was a student film he particularly liked. He mentioned our film. There was a dinner after the final show just for the tutors, but I was smuggled in to meet Scorsese over dessert.
I think 'Idol' has been such a wonderful platform for me to step onto, and be a part of, and they've always treated me very kindly, and have been very supportive of my music and myself. I will always keep that as a highlight in my career for the rest of my life.
Any time someone says you have an opportunity to work with Martin Scorsese you jump at the chance.
Griffin Dunne and I were both terrified that Martin Scorsese didn't think we were very good - and if he didn't think we were very good, that was it. That was the end of the line. If Martin Scorsese thinks you stink, you stink.
It was a fabulous experience shooting [in the Aviator], working with Leo [DiCaprio] and Danny Huston in the scene. It was great. I think what was most eye-opening about it was that [Martin] Scorsese was just like any good director you work with.
I knew nothing about editing when I met Mr. Scorsese... Through a series of weird events, I ended up at New York University, and there was Martin Scorsese, and he had some troubles with a film I was able to fix. That's the only reason I became a filmmaker.
I would love to work with Dustin Hoffman, John Malkovich, Omar Epps, Martin Scorsese, Josh Mond, Woody Allen, Paul Thomas Anderson, and David O. Russell, just to name a few. Those guys are absolutely brilliant at what they do.
Working on 'The Last Waltz' introduced me to Martin Scorsese, and I had been a movie bug since I was a young kid.
There is really no one who hasn't made mistakes in their career. I'm always shocked that people would be so surprised that I might make mistakes. Martin Scorsese has made mistakes - why can't I?
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