A Quote by Terry Pratchett
Humans had built a world inside the world, which reflected it in pretty much the same way as a drop of water reflected the landscape. And yet ... and yet ... Inside this little world they had taken pains to put all the things you might think they would want to escape from - hatred, fear, tyranny, and so forth. Death was intrigued. They thought they wanted to be taken out of themselves, and every art humans dreamt up took them further in. He was fascinated.
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I think the violence in the world right now is being reflected inside people. And I also believe the violence inside people is being reflected in the world.
I think part of our faults as humans is that we are very arrogant and I think we have taken many things for granted because of the way European have taken us, which is a failure and for them to totally come out and accept is a failure.
There is one god, greatest among gods and men, who bears no similarity to humans either in shape or thought... but humans believe that the gods are born like themselves, and that the gods wear clothes and have bodies like humans and speak in the same way... but if cows and horses or lions had hands or could draw with the hands and manufacture the things humans can make, then horses would draw the forms of gods like horses, cows like cows, and they would make the gods' bodies resemble those which each kind of animal had itself.
I think the world is like a great mirror, and reflects our lives just as we ourselves look upon it. Those who turn sad faces toward the world find only sadness reflected. But a smile is reflected in the same way, and cheers and brightens our hearts. You think there is no pleasure to be had in life. That is because you are heartsick and-and tired, as you say. With one sad story ended you are afraid to begin another-a sequel-feeling it would be equally sad. But why should it be? Isn't the joy or sorrow equally divided in life?
The visual world has blown up, the world of writing has blown up; there's so much text online. Anyone and everyone can express themselves. It's a lot to think about as an artist. Also, that the persona of the artist might actually be of some importance. When I came of age, it was important to be quiet and hang back and be mysterious. I knew artists who didn't even want to show up at their own openings. They never wanted to have their picture taken, didn't want to autograph a book, didn't want to answer a question. I came of age in a world where it was "Let the work speak for itself."
Cutter's Way was a real test of my stupidity. Every day, it was like, who did I think I was? But people put up with me. But I considered myself an alcoholic, so I had the inside track on how an alcoholic would do this or that and so on and so forth. That became pretty annoying, I'm sure.
What really happens is that the story-maker proves a successful 'sub-creator'. He makes a Secondary World which your mind can enter. Inside it, what he relates is 'true': it accords with the laws of that world. You therefore believe it, while you are, as it were, inside. The moment disbelief arises, the spell is broken; the magic, or rather art, has failed. You are then out in the Primary World again, looking at the little abortive Secondary World from outside.
Think what a better world it would be if we all - the whole world - had cookies and milk about three o'clock every afternoon and then lay down with our blankies for a nap. Or if all governments had as a basic policy to always put things back where they found them and to clean up their own mess. And it is still true, no matter how old you are - when you go out into the world, it is best to hold hands and stick together.
I wanted to know how humans came up with a view of the world that had so little magic in it. I needed to understand how they convinced themselves that magic wasn’t important.
Still, being fragile creatures, humans always try to hide from themselves the certainty that they will die. They do not see that it is death itself that motivates them to do the best things in their lives. They are afraid to step into the dark, afraid of the unknown, and their only way of conquering that fear is to ignore the fact that their days are numbered. They do not see that with an awareness of death, they would be able to be even more daring, to go much further in their daily conquests, because then they would have nothing to lose- for death itself is inevitable.
I think being young in a grownup world, I think it stunted me a little bit. I had to grow up too fast on the outside, but I didn't get to grow up on the inside in the way that you might if you're allowed to fail more.
I had very little fear about it, but basically, my straight friends talked me out of it. I think they thought as I was bisexual, there was no need to. But it's amazing how much more complicated it became because I didn't come out in the early days. I often wonder if my career would have taken a different path if I had.
One of the big questions in the climate change debate: Are humans any smarter than frogs in a pot? If you put a frog in a pot and slowly turn up the heat, it won't jump out. Instead, it will enjoy the nice warm bath until it is cooked to death. We humans seem to be doing pretty much the same thing.
Every evening, I would excuse myself from playing in the backyard and go inside to watch the evening news... I wanted to get out there and see the world, and as a kid, I knew that Peter Jennings had a thirst and hunger to travel the world, too.
And now I was seeing that there was something really cool about that family. All of them. They were just...real. And who were we? There was something spinning wickedly out of control inside this house. It was like seeing inside the Baker's world had opened up windows into our own, and the view was not a pretty one. Where had all this stuff come from? And why hadn't I ever seen it before.
I was in analysis for many years, and one of the things analysis does is open up forbidden territories. It opens up those unconscious, instinctual urges that you then have to deal with. I'm like a Frankenstein of analysis. I'm able to go back and forth between the world I've created inside of myself and the real world, which is something I think a lot of people who write and paint and make art do.
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