A Quote by Terry Southern
I learned not to care ... and to write for an imaginary reader whose tastes were similar to my own.
Related Quotes
Write about what you care about. If you do that, you're probably going to do your best writing, reach off the page and touch the reader. How are you going to make the reader care if you don't care yourself?
Peer pressure is not a monolithic force that presses adolescents into the same mold. . . . Adolescents generally choose friend whose values, attitudes, tastes, and families are similar to their own. In short, good kids rarely go bad because of their friends.
Women, I believe, search for fellow beings who have faced similar struggles, conveyed them in ways a reader can transform into her own life, confirmed desires the reader had hardly acknowledge-desires that now seem possible. Women catch courage from the women whose lives and writings they read, and women call the bearer of that courage friend. [p. 138]
I would say if you want to write, write what you care about. I think that's the most important thing. I think if you write what you care about, you stand a better chance of having the reader care about your story.
Saul Bellow once said, 'A writer is a reader who has moved to emulation' — which I think is true. I just started writing and made that jump from reader to writer and learned how hard it was, but also how much fun it was — losing myself in these imaginary worlds.
You learn to write by reading, and my experiences and tastes as a reader are pretty wide.
The community of mathematicians is similar to an imaginary community of musical composers whose only satisfaction is obtained by the interchange among themselves of the musical scores they compose.
In the middle of the next century, when the literary establishment will reflect the multicultural makeup of this country and not be dominated by assimiliationists with similar tastes, from similar backgrounds, and of similar pretensions, Langston Hughes will be to the twentieth century what Walt Whitman was to the nineteenth.
G.O.O.D. Music is just real tastemakers, man. Kanye's a real tastemaker. One thing that I feel is tight about G.O.O.D. is that a lot of people have their own style, and you can see that. My style is different than Pusha's, it's different than Cudi's. But it's also slightly similar 'cause we have some similar tastes.
No one can write decently who is distrustful of the reader's intelligence or whose attitude is patronizing.
I write with the idea that nobody will care about what I've written; I publish with the idea that nobody will care either. Which is why every time somebody cares enough to read a novel of mine, or respond to it - a reader, a reviewer, even my own editor - I'm a little bit amazed, and so hugely grateful.
I formed a resolution to never write a word I did not want to write; to think only of my own tastes and ideals, without a thought of those of editors or publishers.
For any artistic person who creates imaginary people, the art is like inhabiting the life and mind of a seven-year-old child with imaginary friends and imaginary events and imaginary grace and imaginary tragedy. Within that alternate universe, the characters do have quite a bit of free will. I know it's happening in my mind and my mind alone, but they seem to have their own ability to shape their destinies. So I'm not shooting for anything. If the characters are vulnerable it's simply because they're very human.
If your taste goes wrong or you listen to other people's tastes too much, even though they could make a fantastic movie out of it with their own tastes, if they blend their tastes with mine, it's probably going to be a mess.
I would be a liar, a hypocrite, or a fool - and I'm not any of those - to say that I don't write for the reader. I do. But for the reader who hears, who really will work at it, going behind what I seem to say. So I write for myself and that reader who will pay the dues.
The book is finished by the reader. A good novel should invite the reader in and let the reader participate in the creative experience and bring their own life experiences to it, interpret with their own individual life experiences. Every reader gets something different from a book and every reader, in a sense, completes it in a different way.
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