I have a huge family name to live up to and a huge legacy to live up to. I feel the pressure of that every day of my life, but I feel like it's a blessing and a curse.
I don't feel any pressure to live up to the legacy of my grandfather; if I did, I'd be mad. I'm as much of a fan of his work as anyone.
People are always asking me - because of my family - if I ever feel pressure or feel like I have something to live up to. And having that in the back of my head, I've just learned to be really brave even in the face of feeling ill-prepared.
Did people care about how a singer sounded live back in the day? I don't really feel like they did. Not everything was being filmed. Today, one huge mess-up, and millions are seeing it. There's a lot more on the line nowadays. We're so cautious and scared of messing up. It adds a lot of stress to a career.
I feel very strongly about the legacy of Ghost and I'm the next part of that chapter and hopefully a very long and continuing story through the franchise of Ghost in the Shell which is already a huge universe. So yes, I felt pressure, but you always feel pressure as an artist creatively in any endeavour you do, so you just have to do the best that you can do and then hope that is successful.
With the idea that a single creator can build a society wherein a huge number of people will live, Le Corbusier later approached Stalin. In India, he charmed a powerful provincial family and ended up making huge, sculptural relics in Chandigarh.
From the moment I started writing raps, I was always aware of the pressure. I always wanted to live up to how huge Snoop got, how huge Dre got, how huge Pac got. I was always aware.
I live my life with love. I live my life with compassion. I live my life hoping the best for absolutely everyone, no matter how they feel about me. And when you live that way, it's amazing how beautiful every day can be.
I think everyone envisions what their life would be like if they were to live in this post-apocalyptic world. I love the idea of fighting every day to live, because it kind of applies to gymnastics; I feel like every day I need to be in control and focused and stay on edge.
I have a very strong distinction between work and my life. They are not the same and I don't want to ever feel that on a day to day basis that I have to live up to people's expectations, because you never can do that so I don't want to put that pressure on myself.
After 'Radio Flyer,' to this day, every family-oriented script or script with kid actors comes across my desk. That's just Hollywood: you get pigeonholed, and it's both a blessing and a curse, but you live with it.
I grew up in a family that always believed in God. And I feel like, every morning when you wake up, you have to thank Him just for another day. I do it every day.
My mom is my manager and handles day-to-day business to keep the DeGarmo machine up and running! She's a huge, huge part of my career and my life.
There's a ceiling when it comes to genetics. I'm a huge believer in the mind. I feel like anticipation is a key to the success of the game and I feel that's where I thrive. Being able to anticipate, prepare and live in the details of the game.
If you live your life thinking about your legacy or what you're going to leave, you don't worry than you add another concern. Just live your life every single day, do the best you can and that's more of my motto than leaving a legacy.
To live every day as if it had been stolen from death, that is how I would like to live. To feel the joy of life, as Eve felt the joy of life. To separate oneself from the burden, the angst, the anguish that we all encounter every day. To say I am alive, I am wonderful, I am. I am. That is something to aspire to.
I live for the pressure, I live for the moments when I'm deep in the match, out of breath, hurt and feel like throwing up. It's in those moments that I push through, I keep punching, I keep going forward, because no matter what, I will never stop.