A Quote by Thelma Schoonmaker

Michael Powell always used to say 'I'm a typical Englishman'. He was and he wasn't. He was very cosmopolitan and spent a lot of time in Europe. — © Thelma Schoonmaker
Michael Powell always used to say 'I'm a typical Englishman'. He was and he wasn't. He was very cosmopolitan and spent a lot of time in Europe.
Emeric [Pressburger] was completely cosmopolitan. That's what makes their [with Michael Powell] films so special. Neither of them thought twice about making a film about a friendship between an Englishman and a German during the Blitz. They were genius.
I spent a lot of time in Europe. I spent a lot of time in United States, I know what is modern standards of life... and always, if I return to my home country, I ask my country why very simple things that works everywhere else in the world doesn't work in Ukraine.
Michael's Powell art director was a painter and they had a wonderful friendship and artistic understanding. Michael himself, in the way he designed his own house, it was always with bright colours. Very un-English!
On `Earth Song' I was the military guy that would come out of a tank that was used during the show. It was unbelievable; somehow I'd become a Michael Jackson fan that got to dance with Michael Jackson! I spent a lot of time wondering, "what the hell did I do right to deserve this?"
I always felt really guilty if I spent too much time playing video games. It's a colossal waste of time. And I can't say it's a very satisfying feeling at the end of the day, if you've spent eight hours playing a video game; you just end up feeling kind of spent, and used.
I spent a lot of time reading 'Cosmopolitan' and quietly crying.
I was very lucky when I was a kid - I travelled a lot and spent a lot of time in Africa, Asia and Europe. I also chant in Sanskrit.
My life hasn't been static - I spent a lot of time in Europe, a lot of time in India. So I traveled around a lot, and I kept moving.
A few years ago, when I was writing songs for my first album, I was staying with Michael Feinstein as I often did. I was working on a pilot. My grandma was very sick at the time. She died of complications from alcoholism. She always used to say [in his grandma's voice], "Red wine is good for my heart. That's what my doctor said." And we'd say, "Yeah, but not for breakfast." Unfortunately, it was the thing that killed her. I felt inspired to write a song about her and what that meant for her life and for all of us. I was writing it in Michael's house.
I spent a little time in Germany as a schoolboy learning German, and it's a country I knew very well, spent a lot of time in. I knew the history very well. I've always wanted to do a piece of work about the post-war period, of one sort or another.
I'm very comfortable in the U.S. and Europe, but I feel completely out of place in the rest of the world, mostly because I never spent time outside the U.S. and Europe until I was in my 30s.
I respect journalism. I was always very aware of journalism from a very broad point of view, but I'd say my baptism by fire was doing the Donald Margulies play Time Stands Still. That for me was a real education because I spent a lot of time with some incredible journalists, war reporters particularly - Bob Woodruff, Dexter Filkins - people who were very helpful in painting the picture for me and reading the accounts of people and what they experienced, a lot of PTSD.
And there was a very famous man called Michael Powell, who probably is the greatest director all round, except possibly a couple of men.
I've always been a history lover. I've spent a lot of recreational time walking around historical castles and estates, in Britain and Europe, and so I know what the real thing looks like.
I was a very, very careful printer when I used 8-by-10 film. I probably spent more time on printing than anything else. The more the prints were appreciated, the more time I spent on them.
Let's just say that I've spent a lot of time being not very successful.
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