A Quote by Theodore Roethke

In a dark time, the eye begins to see / I meet my shadow in the deepening shade...Dark, dark my light, and darker my desire. — © Theodore Roethke
In a dark time, the eye begins to see / I meet my shadow in the deepening shade...Dark, dark my light, and darker my desire.
Very great charm of shadow and light is to be found in the faces of those who sit in the doors of dark houses. The eye of the spectator sees that part of the face which is in shadow lost in the darkness of the house, and that part of the face which is lit draws its brilliancy from the splendour of the sky. From this intensification of light and shade the face gains greatly in relief and beauty by showing the subtlest shadows in the light part and the subtlest lights in the dark part.
To go in the dark with a light is to know the light. To know the dark, go dark. Go without sight, and find that the dark, too, blooms and sings, and is traveled by dark feet and dark wings.
What's madness but nobility of soul At odds with circumstance? The day's on fire! I know the purity of pure despair, My shadow pinned against a sweating wall, That place among the rocks--is it a cave, Or winding path? The edge is what I have........ ....... Dark,dark my light, and darker my desire. My soul, like some heat-maddened summer fly, Keeps buzzing at the sill. ~From "The Waking" by Theodore Roethke
In a dark time, the eye begins to see.
Every book should begin with attractive endpapers. Preferably in a dark colour: dark red or dark blue, depending on the binding. When you open the book it's like going to the theatre. First you see the curtain. Then it's pulled aside and the show begins.
The dark shadow we seem to see in the distance is not really a mountain ahead, but the shadow of the mountain behind - a shadow from the past thrown forward into our future. It is a dark sludge of historical sectarianism. We can leave it behind us if we wish.
Of all the facts I daily live with, there's none more comforting than this; If I have two rooms, one dark, the other light, and I open the door between them, the dark room becomes lighter without the light one becoming darker. I know this is no headline, but it's a marvelous footnote; and comforts me in that.
O dark, dark, dark, amid the blaze of noon, Irrecoverably dark, total eclipse Without all hope of day!
Perhaps I could best describe my experience of doing mathematics in terms of entering a dark mansion. You go into the first room and it's dark, completely dark. You stumble around, bumping into the furniture. Gradually, you learn where each piece of furniture is. And finally, after six months or so, you find the light switch and turn it on. Suddenly, it's all illuminated and you can see exactly where you were. Then you enter the next dark room.
Human knowledge is dark and uncertain; philosophy is dark, astrology is dark, and geometry is dark.
I don't personally see my work as being dark. What interests me is a balance between light and dark.
We see light, not dark. But it is in the dark that we feel goblins and ghosts.
I wouldn't go blonde. I'd like to do a darker color - a really dark, dark red.
I like a person who knows how to say something dark at a very dark moment. The darker the moment and the darker the comic, the better. Something that is so wrong on all levels.
I live in Rome and five minutes from my flat is a church where you can walk in and see this beautiful Caravaggio. Just the way this man uses dark paint: dark to create dark to create dark, the layering of the darkness in his work. I just race home: I want to create!
When we look at the universe, what we see by eye or with our telescopes is only five percent of the universe. The rest, 95 percent is dark. Dark meaning, first of all, not visible to our instrument. Second, dark also indicates our ignorance. We don't know what's the composition of this part of the universe.
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