A Quote by Thomas Gray
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Sustained and soothed By an unfaltering trust, approach thy grave, Like one who wraps the drapery of his couch About him, and lies down to pleasant dreams.
You don't want to be like the motion picture exec who had so many people at his funeral, but they were there just make sure he was dead. Or how about the guy who, at his funeral, the priest said, "Won't anyone stand up and say anything nice for the deceased?" and finally someone said, "Well, his brother was worse."
So live, that when thy summons comes to join, The innumerable caravan which moves, To that mysterious realm where each shall take, His chamber in the silent halls of death, Thou go not, like the quarry-slave at night, Scourged by his dungeon, but, sustained and soothed, By an unfaltering trust, approach thy grave, Like one who wraps the drapery of his couch, About him, and lies down to pleasant dreams.
I wrote "Miner's Prayer" after [grandfather] died. I'd gone back to his funeral, and he died in 1979. And I came back to California, and I think a couple of weeks after that funeral wrote that song thinking about him, his life.
An adopted son shall never take the family, name and the estate of his natural father, the funeral cake follows the family, name and the estate, the funeral offerings of him who gives ,his son in adoption cease, as far as that son is concerned.
Had he been willing to live a hypocrite, he would have been respectable, he at least could have died surrounded by other hypocrites, and at his death there would have been an imposing funeral, with miles of carriages, filled with hypocrites, and above his hypocritical dust there would have been a hypocritical monument covered with lies.
What various scenes, and O! what scenes of Woe,
Are witness'd by that red and struggling beam!
The fever'd patient, from his pallet low,
Through crowded hospitals beholds it stream;
The ruined maiden trembles at its gleam,
The debtor wakes to thought of gyve and jail,
The love-lorn wretch starts from tormenting dream;
The wakeful mother, by the glimmering pale,
Trims her sick infant's couch, and soothes his feeble wail.
My dad had to work for everything in his life; so did my mum: she cleaned people's houses and looked after old people. You can be complacent and sit on the couch and complain about the dreams that you missed. Get off the couch!
When you look at a couch you don't really see the couch. You see the couch as perceived by a state of mind.
A more secret, sweet, and overpowering beauty appears to man when his heart and mind open to the sentiment of virtue. Then he is instructed in what is set above him. He learns that his being is without bound; that to the good, to the perfect, he is born, low as he now lies in evil and weakness.
All those years on the psychiatrist's couch and suddenly the couch is moving. Good God, she is on that couch when the big one hits. Maidy didn't tell you, but you know what her doctor said? She sprang from the couch and said, "My God, was that an earthquake?" The doctor said this: "Did it feel like an earthquake to you?
He has to wair for another load of laundry to get done. So I wait with him. I lean back against the couch, sitting really low the way I like. I scrunch over and put my head on his shoulder. We sit like that for a long time. Watching other people's laundry dry. <3
Christ taught an astonishing thing about physical death: not merely that it is an experience robbed of its terror but that as an experience it does not exist at all. To "sleep in Christ," like one that wraps the drapery of his couch about him, and lies down to pleasant dreams.
There were lots of lies along the way in life. Lies without arms, lies that were ill, lies that did harm, lies that could kill. Lies on foot, or behind the wheel, black-tie lies, and lies that could steal.
Stories," he'd said, his voice low and almost husky, "we are made up of stories. And even the one's that seem the most like lies can be our deepest hidden truths.
My friend James Cameron and I made three films together - True Lies, The Terminator and Terminator 2. Of course, that was during his early, low-budget, art-house period.
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