A Quote by Tibullus
What madness is this, inviting sable Death by warfare? It always hovers close and comes unforeseen on silent steps.
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Care-charmer Sleep, son of the sable Night, Brother to Death, in silent darkness born; Relive my languish, and restore the light.
Care-charmer Sleep, son of the sable Night, Brother to Death, in silent darkness born, Relieve my languish and restore the light; With dark forgetting of my care return. And let the day be time enough to mourn The shipwreck of my ill adventured youth: Let waking eyes suffice to wail their scorn Without the torment of the night's untruth.
He had not yet lived long enough to have discovered that nothing is more close at hand then the impossible, and that what must be looked for is always the unforeseen.
[Black Mirror] is always about unforeseen consequences and unforeseen problems, it's not usually that someone's created a machine that they want to enslave mankind with, it's someone's invented a new kind of... paperweight that enslaves mankind.
How do you calculate upon the unforeseen? It seems to be an art of recognizing the role of the unforeseen, of keeping your balance amid surprises, of collaborating with chance, of recognizing that there are some essential mysteries in the world and thereby a limit to calculation, to plan, to control. To calculate on the unforeseen is perhaps exactly the paradoxical operation that life most requires of us.
I always thought death was cruel, a silent destroyer of breath, of hope, of life. Now I understand it is physical death, the perception of it, the fear of it, which often saves us; for death marks the end of our flesh causing us to question the future of what we are.
If watching television doesn't hasten death, it surely manages to make death very inviting; for television so shamelessly sentimentalizes and romanticizes death that it makes the living feel they have missed something - just by staying alive.
Now death is with us in such abundance and hovers over us in so massive a form that we don't have time to invent a mythology, nor is our creativity directed toward same. Now it's to prevent death.
Since PTSD is being exposed to death and the death of someone close, I felt really close to [the soldiers].
Meditation practice is regarded as a good and in fact excellent way to overcome warfare in the world; our own warfare as well as greater warfare.
The death of our close friends and relatives proves that how close the death is to us!
Swords have been my life, not books. But every child knows that the Targaryens have always danced too close to madness. Your father was not the first. King Jaehaerys once told me that madness and greatness are two sides of the same coin. Every time a new Targaryen is born, he said, the gods toss the coin in the air and the world holds its breath to see how it will land.
In the time of the seventh Fire new people will emerge. They will retrace their steps to find what was left by the side of the trail long ago. Their steps will take them to the Elders, who they will ask to guide them on their journey. But many of the Elders will have fallen asleep. They will awaken to this new time with nothing to offer. Some of the Elders will be silent out of fear. But most of the Elders will be silent because no one will ask anything of them.
With dancing, you have to know spatial movement with somebody. It is steps. It's literally steps and knowing how close to be or how far away. You have to have the beat in the right place with the camera.
The silver Swan, who, living, had no Note, when Death approached, unlocked her silent throat. Leaning her breast upon the reedy shore, thus sang her first and last, and sang no more: 'Farewell, all joys! O Death, come close mine eyes! More Geese than Swans now live, more Fools than Wise.'
I think the big danger of madness is not madness itself, but the habit of madness. What I discovered during the time I spent in the asylum is that I could choose madness and spend my whole life without working, doing nothing, pretending to be mad. It was a very strong temptation.
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