A Quote by Tift Merritt

Music is like a really sacred, awesome thing. That first 45 minutes to two hours that you're on stage spending time with music every night is always really great. — © Tift Merritt
Music is like a really sacred, awesome thing. That first 45 minutes to two hours that you're on stage spending time with music every night is always really great.
I really believe in albums, even though some people believe the year of the album has passed. I love singular pop songs or tracks, but what really affects me most deeply is if there's an hour of music or 45 minutes of music that flows really well and tells a story.
Rome is a city where in every corner you have a reminder of the sacred world. That's why I have sacred music, minimalist sacred music, which is also music I like, because at the end of the day, that's what I want to do.
I like New York. I like Philly. I like San Fran. I like when people are stoked. But Chicago's a real music town, and they're really good to us there. There's just something in the air there; people are just really stoked about music. Every time I go there, I have a great time, and the fandom is really heartwarming.
I do 45 minutes of cardio five days a week, because I like to eat. I also try for 45 minutes of muscular structure work, which is toning, realigning and lengthening. If I'm prepping for something or I've been eating a lot of pie, I do two hours a day, six days a week for two weeks.
Big band music, to me, it really has three key elements. First is the lyrics are really sweet, and they're just really family-friendly. The second thing is the music is jazz music, so the music is complicated enough to hold your attention for 5 or 6 million plays. That makes the songs interesting. The last part is the fact that it's danceable.
I really enjoy playing for hours and hours. DJ sets where you turn up over an hour and you're on a festival stage, people basically expect much more pounding than I ever would play. I just feel like a fish out of water when I do those. They want something really kind of aggressive; that's not really the kind of music that I'm into.
No, obviously, the time goes by, the English gets better. Ever since I met Melanie, that was almost nine years ago now, you have to just speak the language continuously, hone every word. So, and the proof for me of that, was actually in theater. It has to be two hours and 45 minutes on the stage speaking a language that is not your language, and singing.
When you're starting out as an actor, you keep raising the stakes. First, you just want to be a character who comes on stage and gets a laugh or two and exits. Just five minutes on a stage, not even Broadway. But every time you say your little prayer at night, you place more demands.
Oh yeah, it's great see music and to play music in small places. And it's really fun for me to play here because, you know, I played two feet from people all night. And after all those years, it's great to be able to talk to folks.
A lot of church music really inspired me. A lot of ancient music that's made for God. If you get really into the history of music, inevitably you're going to have to get into sacred religious music.
One of the first things I created was music for the Paris opera's ballet troupe. That was the first time that electronic music was played at the opera. I really like the relationship between the music and the choreography.
To make music I rely on other people, which is good - that's the main difference in painting and music at this stage. They are separate parts of my life really, like having two jobs, one in a bar, one in a lighthouse.
When music is crashing around us, when you hear the same five songs on the radio that aren't really saying much, we can always go back to great music. Great music always lives on.
What happened during the previews of 'Taboo' [musical] was that it was the first time I'd ever been written about as a great song-writer - I cried. I absolutely wept, because it wasn't the usual stuff like, "Oh, he was a drug addict and he did this and that..." It was really looking at the music and it was really complimentary. It was a huge thing.
My dad bought a Beatles tape when I was in fifth grade, and that was the first time I ever really - I mean I was into music, but that was the first time it really blew my mind. When I heard the 'Red Compilation,' which wasn't like a proper album, I thought, 'music was more than I had ever thought it was before.
My dad bought a Beatles tape when I was in fifth grade, and that was the first time I ever really - I mean I was into music, but that was the first time it really blew my mind. When I heard the 'Red Compilation,' which wasn't like a proper album, I thought, 'music was more than I had ever thought it was before.'
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