A Quote by Tika Sumpter

Don’t look at other people and compare yourself. Just do the work. Because when the opportunity is there, you have to be ready. Make sure your craft is refined and you’re constantly working on it. Plow through the weeds. Go to the auditions and go to the meetings and be on time. Stop looking to the left or the right. Keep your head down and keep moving.
Plow through the weeds. Go to the auditions and go to the meetings and be on time. Stop looking to the left or the right. Keep your head down and keep moving.
I think one of the most important lessons that I've learned is to put your head down and work. Don't look at other people and compare yourself. Just do the work. Because when the opportunity is there, you have to be ready. Make sure your craft is refined and you're constantly working on it.
If you're a baseball player and you're on the mound, you don't ever want to look up in the stands if somebody is yelling at you, because they know they've got you. You just keep your head down, keep moving along. Of course it annoys you, but you don't ever show that it annoys you. Just go ahead, move on, and keep on playing.
You've just got to stay grounded, keep your head down, keep pushing and, when someone does call and wants you, be ready for your opportunity.
I always keep busy it gives you an opportunity to go through your coaching methods, your files, to see how other managers are working and re-educate yourself.
Keep your head down, work hard, and don't ever believe your own hype, because... you just keep working.
Don't stop. Keep right on going. Hitch up your trailer and go to Canada or down to Old Mexico. Head for Europe if you can afford it, or go to Mardi Gras. Go someplace you've heard about, where you can fish or hunt or collect rocks or just look up at the sky. Find out what's at the end of some country road. Go see what's over the next hill, and the one after that, and the one after that.
Read as much as you write. Go out and meet other writers. Look for stories in everything around you - music, movies, family, strangers, your bus ride to work, and of course the streets. Also - keep moving forward, keep creating new things. Leave evidence of yourself in this world. Imagine what your legacy could be and try to create it.
It's like one of those dreams that changes you. You keep some of the dream forever, and you know things down deep inside yourself, because it happened to you, but when you go looking for details they kind of just slip out of your head.
You're free because you don't have to expose yourself, and you can go wild, and let your id completely out of its box, and nobody will see you because you're operating through a surrogate. It's an opportunity to crack open your shell, to melt down yourself, and just let yourself go. It's a form of catharsis for me.
I work a lot, and I prepare a lot. I think that's really important when you live in LA, to go the extra mile for whatever it is that you're trying to achieve. You realize out here that when you stop moving so fast, it's a lot harder than you thought. A lot of hard work has to go into your career, and preparation, and being your best at all times. I think you just have to always present yourself at your best, and you just need to be prepared all the time. Looking good, and feeling good, and being positive, and being in the right set of mind to accept whatever comes your way.
Work-do plays, learn your craft, and go to school. Keep working. Nobody is going to give you jobs for going to parties or any of that nonsense. Go out, look around, do things.
I can tell you how to get what you want: You've just got to keep a thing in view and go for it and never let your eyes wander to right or left or up or down. And looking back is fatal.
There's a time when people say your work is revolutionary, but you have to keep being revolutionary. I can't keep shooting pop stars all my life. You have to keep changing, keep pushing yourself, looking for the new, the unusual.
In the whole of your absurd past you discover so much that's absurd, so much deceit and credulity, that it might be a good idea to stop being young this minute, to wait for youth to break away from you and pass you by, to watch it going away, receding in the distance, to see all its vanity, run your hand through the empty space it has left behind, take a last look at it, and then start moving, make sure your youth has really gone, and then calmly, all by yourself, cross to the other side of Time to see what people and things really look like.
I was self-conscious of being so lanky, of being me. I'd keep my head down, make excuses not to go out. I'd look in the mirror and hate myself. I thought I was disgusting. I cried constantly from 11 to 16. If I could tell my younger self anything, it would be to learn to love your flaws. It's OK to look in the mirror and feel really confident about yourself.
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