A Quote by Tika Sumpter
I was signed to a record label when I was younger. I was in a group, and I just wasn't - personally, I wasn't ready to get out there. I don't know. It was a pop group. Not like the Spice Girls, but when you don't have any control over anything, it's disheartening.
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Like everything at Big Machine Label Group, the music comes out when it's ready.
I know someone who works in a record shop where I live and I'll go in there and he'll play me "Have you heard this single?". Singles by, er the group called The Tights, so an obscure thing... and a group called, I think, er Bauhaus, a London group. That's one single. There's no one I completely like that I can say "Well I've got all this person's records. I think he's great" or "This group's records" it's just, again, odd things.
I just think that any person who wants music to be their career shouldn't focus on a record label. I have seen friends who sign to a label too early in their career, and they lost control over their music, and their releases were delayed or never put out.
We have signed with Artemis Records. Originally they were our distributor for 'Group Therapy'. My former manager (Chip Quigley) started a record label (Recon Records) and had Artemis Records as their distributor. Unfortunately, the way the label was run meant that it didn't turn out the way that we thought it was going to be. We simply got into something that was different to what we initially thought
Television is fantastic because you get to follow a group of characters over time, and their stories can enrich and surprise you. And you get to work with a group of people over time as well, which can be very satisfying with the right group.
I started singing by default, I think. Because there was a guy in the group that thought the group wasn't going to ever be anything. And I was getting ready to record, and I'd never recorded my voice. It was always other people that I featured because I thought they did a much better job.
It was also never wanting to be part of any group or movement or anything that was the done thing. I hated organization. When you have a group, you have a leader who is going to put down the rest of the group.
I'm trying to get at this. That is, a man may know that he belongs to, say, a group - this group or that group - but he feels himself lost within that group, trapped within his own deficiencies and without personal purpose.
It's like a little folk song. I think it might've been Harry Belafonte or someone like that who did it. And "Merry Christmas, Everybody" by Slade, which is a rock group - a rock-pop group who are very big over there.
Safety lies in catering to the in-group. We are not all brave. All I would ask of writers who find it hard to question the universal validity of their personal opinions and affiliations is that they consider this: Every group we belong to - by gender, sex, race, religion, age - is an in-group, surrounded by an immense out-group, living next door and all over the world, who will be alive as far into the future as humanity has a future. That out-group is called other people. It is for them that we write.
I had taken some of my solo music into the record label. They didn't really care for the direction I was moving in and I found it really disheartening. They wanted a pop hit, which I understand in terms of making money. I get that. But what they were going to ask of me was something I wasn't prepared to deliver and I felt kind of trapped. I just stopped writing. I just stopped. It was stifling.
I was a huge Spice Girls fan when I was a kid. When I was younger I had a Spice Girls poster on my wall and I watched the movie.
Pop music means everything to me. I've been listening to pop since I was kid, running home from school to watch Britney Spears and Spice Girls and Christina Aguilera music videos, and it felt like it was a world to escape to for me personally.
All rights are individual. We do not get our rights because we belong to a group. Whether it's homosexuals, women, minorities, it leads us astray. You don't get your rights belonging to your group. A group can't force themselves on anybody else. So there should be no affirmative action for any group.
Da Pak was a group out of Chicago. It was a put-together group. We actually met for the first time at this showcase. They were like 'Yo, you should do a song together.' So we did. It just so happened that the name of the song was 'Wolf Pak.' They said, 'Y'all should be a group called Da Pak, and here's a record deal.'
I was in the playground, like, 'Let's imitate the Spice Girls and form a girl group!' I would go home and sing into my hairbrush and act like Britney Spears. I was no Mozart.
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