A Quote by Tim Cook

For us, the most important thing we can do is raise people up - that is, either by giving the ability to do things they could not otherwise do, allow them to create things they couldn't otherwise create. It's about giving them tools; it is about empowering people.
The daily press, the immediate media, is superb at synecdoche, at giving us a small thing that stands for a much larger thing. Reporters on the ground, embedded or otherwise, can tell us about or send us pictures of what happened in that place at that time among those people.
The future of the United States and the most important election in a generation, and he [Donald Trump] is trying to con people into giving them their vote, just like he conned these people into giving them their money.
People who care about records are always giving me a hard time. I mean, I would destroy records in performances, and break them, and whatever I could do to them to create a sound that was something else than just the sound that was in the groove.
Conservatism is not about leaving people behind. Conservatism is about empowering people to catch up, to give them the tools at their disposable that make it possible for them to access all the hope, all the promise, all the opportunity that America offers. And our programs to help them should reflect that.
Growing up, all I saw was my parents trying to be the best people they could be, and people coming to them for wisdom, coming to them for guidance, and them not putting themselves on a pedestal, but literally being face-to-face with these people and saying, "I'm no better than you, but the fact that you're coming to me to reach some sort of enlightenment or to shine a light on something, that makes me feel love and gratitude for you." They always give back what people give to them. And sometimes they keep giving and giving and giving.
When I went travelling around Europe there was the Eurovision song contest on, and I got a bit dunk and we missed our train to Budapest the next day. Anyway, when I got back I kind of realised how many songs there were about people giving up things for somebody, so I thought I'd make a song about giving up things I don't have. These elaborate things that I don't have that I could give up to somebody, and I kind of thought there was kind of some sweet sentiment in that.
I was trying to create products to complement the pop-up blocker. All these people were giving me their credit cards. I figured I could sell them something else.
living life was like putting the beach into a jar. The point wasn’t to fit everything in; it was to attend to the most important things first—the big, beautiful rocks—the most valuable people and experiences—and fit the lesser things in around them. Otherwise, the best things might get left out
When people express what is most important to them, it often comes out in cliches. That doesn't make them laughable; it's something tender about them. As though in struggling to reach what's most personal about them they could only come up with what's most public.
My children are still young, but I try to talk to them about giving back and how important it is, just to look at the world, be invested in things, to be passionate about things, to have a dream.
I noticed a lot of bands always having a few people in the band being interested in recording and audio production, so I got the idea to create products that would appeal to them. Rather than create tools that only engineers could understand, I designed tools that any musician could use and get instant great sounding results.
People just wanna talk. They wanna create negative things about you and your life and make up things. You can't let them affect you!
People will say things after a screening that it affects them in a certain way, which is why I don't like to explain what certain things are about. I want them to have that. It limits people's ability to understand something if I say it's "about this." That's happened to us a bunch on this.
For me, prose is never a poem. Because with prose there are so very few tools to create the music. And one of the most important tools missing is the ability to create silences, as you can in poetry by how you fashion the lines and breaks within the lines and stanzas.
About three years ago, I started an exercise in openness and inclusiveness to create new digital tools for magic - tools that could eventually be shared with other artists to start them off further on in the process and to get them into the poetry faster.
We are no longer teaching young people to make things that are beautiful and of very high quality. We are not giving them the chance to learn how to create artefacts to a high standard of design and workmanship.
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