A Quote by Tim Ferriss

I suppose my professional life can be split into writing books that all sound like infomercial products, most notably 'The 4-Hour Workweek,' and then tech investing. — © Tim Ferriss
I suppose my professional life can be split into writing books that all sound like infomercial products, most notably 'The 4-Hour Workweek,' and then tech investing.
The truth is that since the first book, I have wanted to emulate Benjamin Franklin and put together a healthy, wealthy and wise trilogy and so healthy was 'The 4-Hour Body,' wealthy was 'The 4-Hour Workweek' and then wise is 'The 4-Hour Chef.'
Space investing looks a lot like tech investing.
Part of the success of This American Life, I think, is due to the fact that none of us sound like we should be on the radio. We don't sound professional; we sound like people you would know.
Big night of television tonight for Barack Obama. Earlier tonight, Barack Obama aired a half-hour infomercial to attract more voters. Yeah. Yeah, and apparently, if you watched the entire infomercial, Barack threw in a free set of Ginsu knives for you.
The past is a curious thing. It's with you all the time. I suppose an hour never passes without your thinking of things that happened ten or twenty years ago, and yet most of the time it's got no reality, it's just a set of facts that you've learned, like a lot of stuff in a history book. Then some chance sight or sound or smell, especially smell, sets you going, and the past doesn't merely come back to you, you're actually IN the past. It was like that at this moment.
Integrating breakthrough technology into everyday products is always a challenge; at the same time, this is exactly how design makes tech products easily adoptable in life.
Here's the truth about telling stories with your life. It's going to sound like a great idea, and you're going to get excited about it, and then when it comes time to do the work, you're not going to want to do it. It's like that with writing books, and it's like that with life. People love to have lived a great story, but few people like the work it takes to make it happen. But joy costs pain.
I did some products for the Apple II, most notably the first small low cost thermal printer, the Silent Type.
Writing in the electronic world, you imagine a sound, and then you have to go and find it. It's not like imagining a flute and then making that sound materialize. That's easy!
I suppose most crime writing is urban. There's not a lot... certainly not in Australia, people don't often set books in the countryside.
I was like just writing and writing and then I kinda developed my sound. And then, my managers were like, "Okay, we're gonna try to get a deal." And then first it was Interscope, and then it was Atlantic. And then, I ended up signing with Atlantic, but it was like a long process, a really long... it was A LONG PROCESS. I feel like it took me two years to do it.
I'm one of those people. I can be sold by the candy in life, and then it can be stripped away within a split second and I feel like I've seen too much. And that's the way, I've been like that most of my life, so I could never say I was there yet in any stretch of the imagination.
People ask me, 'Why are you still writing books?' Like I'm still only writing to make money and as soon as I have enough I'll quit and go fishing? I like to write books. It's the most satisfying thing I do.
You've got to be a good reader. So whatever genre that you're interested in, read a lot of books about it and it's better than any kind of writing class you'll ever take. You will absorb techniques and then in a lot of cases you can just start writing using the style of the book or the author that you admire and then your own style will emerge out of that. Be a diligent reader and then try to write seriously, professionally and approach everything in writing in a professional way.
In 2001, we were like most high-tech companies, with one or two primary products that were really important to us.
Speaking of earning, the revered 40-hour workweek is for losers. Forty hours should be considered the minimum, not the maximum. You don't see highly successful people clocking out of the office every afternoon at five. The losers are the ones caught up in that afternoon rush hour. The winners drive home in the dark.
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