A Quote by Tim Hecker

You have to make rough decisions with sequencing and work within the limitations of having good audio for 15 minutes on a vinyl side. — © Tim Hecker
You have to make rough decisions with sequencing and work within the limitations of having good audio for 15 minutes on a vinyl side.
I believe in doing vinyl. As long as vinyl can still be made into a high-quality standard, I'm going to still make all my records as a side A and a side B because that's how I grew up listening to music.
When we live in a world where everyone wants their 15 minutes of fame, I think it's nice to have a show like 'All Together Now,' where it's about people having 15 minutes of fun.
I'm not as religious as some people about "the album." To be honest, that was a product of a format. You had vinyl, and you could fit five songs on each side, and that's 45 minutes. You had A-side songs and B-side songs; I always loved the first song on side B. And there's nothing wrong with that. Prog albums of the 70s adapted to that format very much. But not all musicians want to create 45 minutes of music that has to be listened to in chronological order.
We didn't stay in the caves. We haven't stayed on the planet. With biotechnology, gene sequencing, we are not going to even stay within the limitations of biology.
Vinyl is so outdated nowadays. I can make a track in my hotel room today, and play it for the crowd tomorrow. That never happens with vinyl. I played a lot of acetates at the end of my vinyl period - I used to make tracks and get them pressed in four or five days - but the quality was always so bad and they would skip all the time. The vinyl days for me are over. I still buy vinyl, but only albums, and just to play. For DJing, vinyl is a nightmare.
I really take pride in doing my own make-up all the time, which takes me about 40 minutes, and my hair takes another 15 to 20 minutes. Putting on my gear is probably another 15 minutes, so all in all, I don't think an hour and a half is too bad!
You can make a hit song in 15 minutes. I don't know about someone else's song, but songs that people like of mine, I've created in 15 minutes or less.
I met my wife when we were 15 years old. I knew within 15 minutes of meeting her, that's who I wanted to marry.
One thing I always loved about vinyl was the length of a side, around 20 or 22 minutes. That's the perfect length of an attention span for listening time, you know? You could listen and give it all your attention. Put on something that's 70 minutes, and nobody's sticking around past the first 20 or 30 minutes.
I think we usually err on the side of giving players a lot of confidence and freedom within the motion to make plays and make reads and make decisions.
People often forget this - a vinyl album could only contain a maximum of 20 minutes per side!
I have makeup that I can do in 15 minutes, 10 minutes, or five minutes, depending on what I'm doing that day. On a day when I'm shooting, it's 15 minutes. Five minutes is when I'm running around that day, and it's no big deal.
It's really not that hard. If I do a Tonight Show, it's six or seven minutes. If I do a concert, it's 90 minutes. If I do an interview, that's 15 minutes. So by the end of the day I've done three hours worth of work.
I played a lot of acetates at the end of my vinyl period - I used to make tracks and get them pressed in four or five days - but the quality was always so bad and they would skip all the time. The vinyl days for me are over. I still buy vinyl, but only albums, and just to play. For DJing, vinyl is a nightmare.
The great thing about vinyl is that if you wanted to get a decent-sounding cut, you could really only have 20 minutes max on each side.
I used to think it was good to kind of work within your limitations.
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