A Quote by Tim Hecker
I'm really sensitive to the beginning of a motif or a phrase or something that's kind of the backbone or becomes kind of the spine that you grow muscle tissue onto. You know from that, if you have that good beginning, it's like everything that grows off it often has potential. Maybe I'm good at that early bit of recognition of pieces of potential. I'm not sure.
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I certainly think that he [Alan Rickman] was a kind of actor who needed to grow into his maturity to realize the potential, the huge potential that he had.
To get our universe, with all of its potential for complexities or any kind of potential for any kind of life-form, everything has to be precisely defined on this knife edge of improbability. [Y]ou have to see the hands of a creator who set the parameters to be just so because the creator was interested in something a little more complicated than random particles.
Are you living up to your potential? God made you with potential - potential for greatness! If you do what you can do, and trust Him to do what you can't, you will grow into the person He gave you the potential to be!
It was all kind of a whirlwind at the beginning. I didn't really realize that I had a special gift from God. It was probably towards the end of high school in my senior year when things really started to come together and I realized that I had more potential and that I could do this as a career and that the Olympics were a possibility.
So many people think being single is the end of something, but it's really a beginning - a good beginning.
I like playing... I don't know. I think that's what was really exciting about playing Knives, too, from the beginning was that you get to kind of do both of that. She's almost like two different people, but that's what's cool about it, because I get to show her growth and that's the thing that's really cool about Knives, you get to really see her grow up from being meek and innocent and naïve at the beginning to this powerful girl who is going for what she really believes in and what she really wants.
There is immense, powerful potential in life in this universe - especially now that we know that places like the Earth are common. And that potential, that powerful potential, is also our potential, of you and me.
So many people limit themselves by holding onto that baggage. They cut themselves off at the knees. And for me, meeting my father, and seeing how he was, and seeing that other side of where I came from, allowed me to kind of ascend spiritually. Now not to get all hippy or anything, but, you cant realise your potential unless you LET yourself realise your own potential.
Misha's importance and distinctiveness are beginning to be noticed, there's beginning to be some kind of rip-tide here that will soon become a wave of recognition for a book that the world is beginning to catch up to... We weren't ready before. We'd better be ready now. Because it's the 21st century, any minute now, and that means that Misha's time has come. In more ways than one.
I just think there's an awful part of rock-'n-roll music where people kind of pretend they're young all their lives, you know? And they kind of live off past glories. Especially now there's kind of a trend where people are performing only their old albums, in their entirety, beginning to end.
Whenever you show up on a set where you haven't been from the beginning - at least myself - I'm kind of quiet. I just watch the politics and how everything unfolds. It's kind of like going to a new high school. You want to see who everyone is before you introduce yourself, really, to kind of make friends. I think any smart person does that in social situations
If everything always went perfectly, I would feel like, When is the ball going to drop? Because good things don't always last. Maybe I'm a pessimistic person. When something just seems too good, I can't believe it. I come from a background where I was never told that I couldn't do something, so I'm very stubborn. I don't know if I believe in fate or destiny, but it kind of feels that way sometimes.
I try to structure albums in a pattern, like in a way where there's a motif that runs throughout or some kind of conceit that informs it in a general way. Maybe it's in a harmonic key. I like to go metastructural sometimes, like look at more than the three-minute passage and how that interacts with other pieces. And I've been increasingly interested in false starts and fraudulent beginnings, and things that don't reach their implied conclusions. I take an album and I kind of start moving things around like Jenga.
And so as a director, as a leader, and myself as a director and a leader, I kind of try to make sure that we hold onto the vision and kind of corral it, but by the time you finish whatever the project is, a TV show, a series, a movie, a stage show, it should be a product of what all those people can do, and therefore, it can never be what you imagined it would be in the beginning.
If you don't practice for three days, everyone will notice." It's something you have to really maintain. So unfortunately, I don't play it that often but I may take it up again. If you don't play for a while, you just can't hit the notes. It's like going to the gym. If you go and do weights, you can lift x amount of weight and if you don't go for ages, you've gotta start again and start from the beginning. So it's a bit like that. It's just a muscle.
What's been important with Flickr is the community that's been there from the beginning and the serious photographers that are there creating and sharing great content. If we lose that at some point then I think we have potential issues, but so far we've been able to do a really good job of maintaining that.
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