A Quote by Tim Hecker

I download music just like anybody else, but it's a weird relationship when you're a musician. — © Tim Hecker
I download music just like anybody else, but it's a weird relationship when you're a musician.
I don't think of my music in terms of a career. I just want to get it out there and do it. I'm not manipulating my sound to be like anybody or trying to write to sound like anybody else.
To me, art is the capacity to experience one's innocence: craft is how you get to that point. Maturity in a musician would be the point at which one is innocent at will. At that point the relationship between music and the musician is direct and reliable. The relationship with music is always mysterious: when it works, you can never tell. You can never guarantee when it's going to work. You can only to put yourself in a place where it's more likely to happen.
People love to hear music on their personal devices, but the issue really becomes, if you're able to download music, you should know this download and the quality of it is going to be of the highest, and that it has a value to it and on it.
All Die Antwoord music, on a weird level, is like relationship music.
I don't really marinate in anybody's album because I don't really want to sound like anybody else when I put my album out. So I'd rather not even be tempted to listen to a bunch of other stuff with any degree of emersion in it, cause I just don't want to sound like anything else, so I kinda focus on my own music.
You're a musician and you live and die by people responding to your music. It's a business just like anything else and if people don't like your music, that's kind of your problem.
I never tried to sing like anybody else, fortunately I didn't sound like anybody else. It just happened.
When you've had a relationship with anybody in your life and you both know what that relationship is, you don't have to do anything to prove to anybody that you've had that relationship. It just exists.
I always wanted to be a musician, 100 percent, my whole life. I went to school, I did music theory, I did voice training and piano lessons, and while I was a decent musician, it didn't seem like enough for me. I felt like I wanted to make more than just music.
The music that I play is much more accepted in America. Do you know what I mean? Americans recognize and not necessarily country music. I go to a lot of places in Canada and they go "I don't like country music" and they think I'm a country musician. When I am a country musician but not a country musician like they think of.
I'm just really not good at being like anybody else or writing like anybody else.
I've always been the person at the table who is like, 'I have this weird rash. Anybody else have this?'
You're always as a musician trying to shock yourself or create music that's maybe even too weird for your own taste. In my case it's kind of weird because I started out being known more for ambient things and ambiguous music, but what's experimental for me is the more traditional structure. For me, experimenting involves traditionalism.
I download music everyday, I know music is free and so does everybody else you know.
By the time I was a senior in high school, I was constantly with my headphones, just making music all the time. People were calling me a "musician", and I found that so weird.
Most people define themselves by what they do - 'I'm a musician.' Then one day it occurred to me that I'm only a musician when I'm playing music - or writing music, or talking about music. I don't do that 24 hours a day. I'm also a father, a son, a husband, a citizen - I mean, when I go to vote, I'm not thinking of myself as 'a musician.'
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