A Quote by Tim Henman

During rallies, it's always crucial to make Nadal cover the whole width of the court. He likes to camp out in his backhand corner, spearing that big off-forehand diagonally across the court. So the backhand down the line is a vital shot, because it moves Nadal out of his most favoured position.
My serve and my forehand I pretty much always had, but my backhand was a made backhand. I worked on it for years.
I'm more in that Rafa Nadal high-energy high-octane mold out there. I wear that emotion on the court. That's how I play my best tennis. People either like that or not. And I can't change that: that's who I am on a tennis court.
The serve, I was too young and too small and... not enough powerful to have a good serve when I was young, so my forehand was always my signature shot. So I used to always run around my backhand, you know, use my forehand as much as I could, and so that's why I think it's my strength also today, you know.
I have a better backhand than forehand.
I'm a massive Roger Federer fan, and sometimes I can see in his game the willful development of a tactic or technique that doesn't come as naturally to him, like fixating on improving the backhand. And I'm thinking, Hit the forehand! It's what you do!
I've felt it (shoulder soreness) since the first day I came, but more so now. Yesterday in the doubles I felt like I couldn't serve at all. I had a lot of pain. I decided to stop because without the serve it doesn't make any sense. It's better to stop and try to recover. If you play, you play 100 percent, not to suffer on the court...Hopefully I'll be ready for the Australian Open. I'll ask for a late start and try to recover. I can playing forehand, backhand, anything except serve.
Basically I started playing double handed on both my forehand and backhand side because my first racket was very heavy.
To me, Hewitt and Nadal would be the best spirited fighters I've ever seen on the tennis court.
He loves me, and I reward his love by forcing on him something he hates. In the evening, after we dance, he rarely returns to the throne; he dances with others or moves from place to place through the room. The court thinks he is trying to be gracious, sharing his attention. Only I see that he moves always to the empty spot and the court always moves after him. He is like a dog trying to escape his own tail. He indulged himself in one brief moment of privacy, and almost died of it. Relius, he hates being king.
In tennis, there is the forehand, the backhand, the overhead smash and the drop volley, all with a different grip.
Anyone who writes down to children is simply wasting his time. You have to write up, not down. Children are demanding. They are the most attentive, curious, eager, observant, sensitive, quick, and generally congenial readers on earth.... Children are game for anything. I throw them hard words and they backhand them across the net.
Sometimes I use a bungee, one of those bungee cords that offer resistance training. I find that useful. Like, I'll go out and hit a backhand or a forehand with resistance. Because when you get rid of the resistance, you've recruited more muscle fibers, and it definitely helps with speed.
I have been working on my backhand since I was the age of five. And it's a disaster, my backhand, so I'm working on it.
Ladies, here's a hint. If you're up against a girl with big boobs, bring her to the net and make her hit backhand volleys. That's the hardest shot for the well-endowed.
Thurgood Marshall because of his experience of discrimination did bring a special perspective to the court. That’s what his colleagues on the court so valued him for as all the tributes pouring in after his retirement attested.
When you make a movie, you do it so piecemeal. You're doing it, not only scene by scene, out of order, but shot by shot, line by line. And there's this idea that the director has the whole thing in his or her head and they're going to somehow weave it all together in the end.
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