A Quote by Tim Matheson
I was just dying to get out of the constraints of television, and the constraints of the parts I'd been playing. I had taken a bunch of improv classes and was performing with The Groundlings. I wanted to get into more adult, risky stuff.
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The Web meant that I didn't have to schlep a whole bunch of stuff to a museum and fight with all their constraints and make something that, in the end, only 150 people would actually get out to see. Instead, I could put something together in my lab and make it accessible to the world.
I've always been pretty reserved, but after taking drama classes in middle school to get more comfortable performing in front of people, I thought I should try out for television.
I'm a goofball, so I think comedy is one of my stronger points, as an actor. I just never get to do it. But, I'm taking classes at Groundlings, where Will Ferrell and Lisa Kudrow studied, and it's all improv comedy. It feels good to be able to do that and be funny.
It's fun playing villains. It's people who are not held by any moral constraints - or any constraints, for that matter. It's a chance to be completely off the leash and do things that you never could in real life.
Improv is more than just spitting out a bunch of funny stuff that's unrelated to the material. You have to stay in character, you have to react and respond as the character you're trying to play. You have to service the story, and I think improv training has helped with my listening, responding, and my audition technique. It's sounds so silly, but it's true. Because not only do you improvise during the audition, but once you get the part, they'll say, "Throw away everything. Just improv this scene. Do whatever you want." Someone could panic if they're not used to doing something like that.
The more constraints I have, the more opportunities I have to be creative to fix those constraints.
When I decided I wanted to be an actor in high school, I really went into improv. I took classes at The Groundlings. I studied acting. Did sketch comedy in L.A.
I worked with the Groundlings, doing sketch comedy and improv at a theater here in L.A. It was my hobby, but I took classes and stayed passionate about it because it's what I wanted to do. It just fit. It takes a while before you can actually make money at it. I worked for years.
I had a teacher who recommended I take improv classes in Chicago - I'm from Evanston, Illinois - so I did improv classes at Improv Olympic, and that kind of opened me up.
I have never been a fan of science fiction. For me, fiction has to explore the combinatorial possibilities of people interacting under the constraints imposed by our biology and history. When an author is free to suspend the constraints, it's tennis without a net.
I think frugality drives innovation, just like other constraints do. One of the only ways to get out of a tight box is to invent your way out.
Well, I came down to LA initially to join The Groundlings, which is an improv comedy group. I didn't get in, of course, becaue I'm not a part of The Groundlings. I just assumed that I could walk in and take over. So they said: "Hit the road Jack." And I ended up getting an agent instead. They sent me out on a couple of leads and I ended up on a sitcom and Van Wilder thereafter and then pantsless with Sandra Bullock.
That sort of lack of awareness on the part of an activist about the constraints of our political system and the constraints on this office, I think, sometimes would leave me to mutter under my breath. Very rarely did I lose it publicly. Yeah, usually I'd just smile.
Engineers love to optimize problems. Now I optimize logistical problems. I ask: 'What's the goal? What are our constraints? What is the optimal, elegant way to get to that goal within those constraints?' I break it down in terms of a data funnel: 'Where in the funnel are we inefficient?' That analytical background really helps.
I started playing violin in the 5th grade. They had a program in school where you could get out of class to go play instruments. So I raised my hand, left out of class, me and a bunch of my homeboys, just to get out of class for that day. They asked what instrument you wanted to play and I picked the violin.
They say that structure is freedom, and in a sense it is. When you're dealing with multiple constraints, you have to figure out what you can get out of that.
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