Life is like a musical by Andrew Lloyd Webber. Very popular and not as bad as some would have you believe. That is, unspeakably awful but mercifully brief.
It was a complete no-brainer. Literally, the call came through: Andrew Lloyd Webber wanting to offer you, with no audition, The Wicked Witch of the West at the London Palladium - I'm in!
I like musicals a lot. I think probably 'Jesus Christ Superstar' is my favorite. I love Andrew Lloyd Webber for the most part. It's rare that I'll find a musical that I don't like.
The first time I did Cake Boss or Ice-T or Andrew Lloyd Webber was on 'Best Week Ever.'
I do quite like that Andrew Lloyd Webber song from 'Cats.' What's it called? 'Memory?' Sends shivers up your spine.
Andrew Lloyd Webber is one of those odd moth-like creatures who seem to combine extreme discomfort with the spotlight with an unstoppable compulsion to leap into it.
I always had an eye toward the stage for the story of Hamilton's life, but I began with the idea of a concept album, the way Andrew Lloyd Webber's 'Evita' and 'Jesus Christ Superstar' were albums before they were musicals.
I was always into classical music and opera because I played the piano as I went through school and was very interested in Andrew Lloyd Webber musicals and stuff like that. That changed into heavy metal at around the age of 14 or 13, and I dropped the piano and started to play the guitar.
I went to see 'Phantom of the Opera' with my grandma and my mom when I was very little. The stage, the voice, the music?... Composer Andrew Lloyd Webber has been a massive inspiration to me for some time - the storytelling, that deliciously somber undertone in his music.
I went to see 'Phantom of the Opera' with my grandma and my mom when I was very little. The stage, the voice, the music... Composer Andrew Lloyd Webber has been a massive inspiration to me for some time - the storytelling, that deliciously somber undertone in his music.
I was fortunate enough to work at the peak of the great golden age of musicals. And then for awhile, I think they were being advanced in different ways. Andrew Lloyd-Webber brought the rock beat to musicals; people tried different things. The joy of musicals is that there is no perfect recipe; it is what you throw into it.
I had to go and sing with the musical director of the film, Simon Lee, who is just incredible, and it went great. I sang with him about five things, things we'd worked on. And then I went to sing for Andrew Lloyd Weber.
The history of popular music is littered with great partnerships. Rodgers had his Hammerstein, Lennon had his McCartney, and Lloyd Webber had... his photocopier.
I didn't start auditioning until my 10th birthday when I auditioned for 'Matilda' The Musical in London! It was actually the first time I realized that it was a career I could pursue.
If I ever have children of my own, they will read Matilda. They will watch the movie. And you can bet they will see Matilda: The Musical.
If I ever have children of my own, they will read 'Matilda.' They will watch the movie. And you can bet they will see 'Matilda: The Musical.'