A Quote by Tim O'Brien
If a story seems moral, do not believe it. If at the end of a war story you feel uplifted, or if you feel that some small bit of rectitude has been salvaged from the larger waste, then you have been made the victim of a very old and terrible lie.
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My parents telling me that if there is a story you feel compelled to share, then you are responsible for doing that. You can't ask someone else to take on that story - or you can, but you have to deal with whatever the fallout is. If the story doesn't end up being told the way you originally heard it or that you feel it needs to be expressed, that's on you.
I've often made revisions at that stage that turned out to be mistakes because I wasn't really in the rhythm of the story anymore. I see a little bit of writing that doesn't seem to be doing as much work as it should be doing, and right at the end, I will sort of rev it up. But when I finally read the story again, it seems a bit obtrusive.
My talent is working very hard and having a decent nose. A good nose for a story and the ability to get a little bit dirty sometimes, to get a little bit physical sometimes chasing a story. And to feel it, I mean I feel it.
Sometimes the music just has to tell the story without you trying to tell the story. It depends on the type of music you want to make. If it makes you feel good and party then you go with that. If it makes you feel like speaking on something real and doing a story then it's the beat just has to have the story.
If a writer is to tell his own story - tell it slowly, and as if it were a story about other people - if he is to feel the power of the story rise up inside him, if he is to sit down at a table and patiently give himself over to this art - this craft - he must first have been given some hope.
I've often been accused of, 'Oh the movies looked good but there's no story,' but I disagree with that in theory, and '9' is a perfect example for me because the feel, the texture, and the look of that world, and those characters, is the story. That's a major component of why you feel the way you do when you're watching it.
I would definitely like to direct at some point. I've been very fortunate to work with some amazing talent and study them. But when the right time and the right story arrives, and I feel like I'm compelled to tell it, then I'll do that.
My life has been devoted to trying to bring a little more understanding to human sexuality - not just in society, but also inside myself. The struggle has been internal as well as external. One of the reasons that I have such tremendous satisfaction at this point in my life is because I know I've made a difference. I've made a difference in a way that really matters to me. I see a lot of terrible things going on in the world, but there are some good things going on too, and I feel I've been a part of that. I really do feel I have been on the side of the angels.
My wife made me watch this documentary about the Iraq War, and there was a really powerful moment where they followed some civilian whose family had been killed. This was 5 or 10 minutes of this woman talking, and it was extremely arresting. You realize how you never hear from the person on the receiving end of a war without a reporter stepping in to compartmentalize the story. Usually they're just a few shots at the end of a news report, wailing and screaming at a funeral.
If I've been working a lot and I've been away from my kids, then I don't go to the gym. It's okay to miss a day. I tell myself not to feel bad about it, too, because then it's a waste if you choose not to do something and feel bad.
I don't think I prefer writing for one age group above another. I am just as pleased with a story which I feel works well for very small children as I do with a story for young adults.
I'm a storyteller. I'm always willing to serve the story, a story I believe in, in whatever way is necessary. If I need to write the story I believe in, I will write it. If I've been offered to act in a story that I truly believe in, I will happily do that, but I'm a storyteller. That's something I'm so thankful for.
In the end, the railroads made America and nanotech will make the 21st century, and that is the end of the story. The beginning of the story and the end of the story.
I feel like I have been able to rewrite my story to some extent. But I feel like there is a lot of work to be done.
I try to do the story the way I feel the story should be done, and how that folds into whatever larger sorts of categories or questions is really none of my business.
I never take ideas from the headlines. I feel that if a story is good enough, a real story that is, then it's already been covered by the media, and if it's not good enough, why would I want to bother with it?
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