A Quote by Tim Purpura
What we're going to do is use spring training as sort of a feeling-out process for Phil and Preston and our other outfielders. It gives us a lot of comfort to know that you've got a pure center fielder like Preston. But he's also so athletic, he can come in and play either corner and we'll feel very comfortable with it.
Related Quotes
I would have liked to have worked with Carrie Preston. I think Carrie Preston is one of the most talented actresses I've ever met in my entire life.
I did Bored To Death with Jason [Schwartzman] and Zach Galifianakis and those guys. I mean, how lucky can you be that you get to be the old guy? I get to be Robert Preston to them now. That's what I feel. My job is to pass on what Preston and other people gave to me, which was show up, take the work seriously, don't take yourself seriously, and have a good time and be of service. Be there to support.
The best thing I can say about 'Teen Wolf Too' is that it's the only time anyone ever referred to me as Preston Sturges. Leonard Maltin wrote that 'Teen Wolf Too' made 'Teen Wolf' look like Preston Sturges. I've always prided myself on that.
I still get stage fright every time. I also feel very, very sleepy about a minute before we go on. Like I feel like I'm going to fall asleep. I can't explain it. It's sort of like, "Where's the energy going to come from to play this show?" Then all of a sudden you step up and there it is, it's like it's waiting for you.
Know that originally none of us are from Earth. We all have natural origins off the planet. We are having human experience, but one thing we're going to have to come to understand - and I know that's a lot for some people - is that our heritage is within the galactic origin. We are going to come into alignment with that by remembering our individual origins - and that's going to be a very important part of our enlightenment process.
As an actor, you are sort of only in charge of yourself. All you can really control is your performance. You don't know what they're going to do with it in the editing room, what they're going to cut out, which take they're going to use. You know, your control is very limited. As a director, it's ultimately your piece. You have a lot more responsibility, but you also have a lot more creative control. It's scary, but also liberating in a way.
I think Carrie Preston is one of the most talented actresses I've ever met in my entire life. I've seen her do a lot of other things, and she's fantastic.
We're trying to win football games, and whoever we feel like gives us the best chance is who's going to play behind center.
I feel that I'm more of a speed player, being able to rush the edge with a lot of speed coming around the corner. But I also have the athletic ability to cover and play in space.
I do a lot of things well, I'm very athletic, I play against guys who are also very athletic.
When you have hardcore fans of something like 'Miranda,' people can't see you any other way than Gary Preston, which is fair enough.
I know I'm not a man-about that much I'm very clear, and I've come to the conclusion that I'm probably not a woman either, at least not according to a lot of people's rules on this sort of thing. The trouble is, we're living in a world that insists we be one or the other-a world that doesn't bother to tell us exactly what one or the other is.
I'm not sure that Eastern culture does either, but I've never lived in India etc so I couldn't tell you. I can say we definitely don't. So people will sometimes come in contact with something strange and think, "Oh, it must be like this" and have a lot of fantasies about it, and somebody who sort of looks like our fantasy version of what enlightenment is can be very convincing in seeming like they've got something and then play that role.
Early in my career when I was with Montreal, we had a lot of good outfielders like Otis Nixon, myself, Marquis Grissom and Larry Walker. We all did the platooning thing, although each one of us could have played every day. We got everybody in the lineup, and everybody got to play.
Of those, the only one that really stands out for me is Tales From The Darkside, for a couple of reasons, one in particular being who I got to work with on it, which was Eddie Bracken. I mean, what a man. Someone who's done Preston Sturges movies, and I actually got to work with him? And he was great.
You've got to be able to hold a lot of contradictory ideas in your mind without going nuts. I feel like to do my job right, when I walk out on stage I've got to feel like it's the most important thing in the world. Also I've got to feel like, well, it's only rock and roll. Somehow you've got to believe both of those things.
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