A Quote by Tim Reid

How did we suddenly become entranced with gangster culture? I saw it this morning on campus. When did the black community say we should all look like criminals? — © Tim Reid
How did we suddenly become entranced with gangster culture? I saw it this morning on campus. When did the black community say we should all look like criminals?
I did not disregard my culture, if I did, it was the white American culture, and I accepted my true culture, when I accepted Mohammed Ali, because this is a black name, Islam is the black man's religion, and so I would like to say, that I would like to clarify that point that I reclaimed my real culture, and that's being a black man and wearing a black name with a black body, and not a white name, so I would never say that I didn't disown my culture.
My dad was very, very invested in image. He felt that as a black person, the thing you could control was how did you look, how did you dress, how did you sound, how did you smell, how did you act. All of that stuff that you could control would absolutely have a strong impact on your access.
One of the facets of growing up the way I did, I never had the experience of being solely in the black community. Even my family, my mother is what they call Creole, so she's part French, part black, and grew up in Louisiana. It's a very specific kind of blackness that is different than what is traditionally thought of as the black community and black culture. So, I never felt a part of whatever that was.
Not only did this new pornography industry change the way men look at women and how we relate to sex, how we sell stuff, and not only did it change America's cultural landscape - it's also this incredible metaphor for a market-based economy. The great pyramid scheme that America has become. I felt like in were larger themes in terms of culture and economics that could be addressed.
I remember standing on a street corner with the black painter Beauford Delaney down in the Village, waiting for the light to change, and he pointed down and said, 'Look.' I looked and all I saw was water. And he said, 'Look again,' which I did, and I saw oil on the water and the city reflected in the puddle. It was a great revelation to me. I can't explain it. He taught me how to see, and how to trust what I saw. Painters have often taught writers how to see. And once you've had that experience, you see differently.
I've had people appear in my life that have helped me. I had more fun. I approached it thinking how would Jack Nicholson, "How would he do it?" So that's really what I did was I created this Gremlin character. So now people come up and they say 'Oh The Exorcist!'.. and I'm like "Did you see Repossessed?" They say either no or yes or whatever, and I say look at this, have a laugh, and then go back and look at a masterpiece.
I walked out on American Gangster: this evil piece of dreck. Defenders of this junk say that these movies give Black actors jobs. So did "Birth of a Nation."
The whites have become black. A particular sort of violent, destructive, nihilistic gangster culture has become the fashion. Black and white, boy and girl operate in this language together. This language, which is wholly false, which is this Jamaican patois that has intruded in England.
Ride It' did it for me. Not only did the Asian community love it, but the black community and the white community got to hear about it. The song became such a big hit for me and got me noticed by the CEOs of Cash Money in America.
How did the party that elected the first black U.S. senator, the party that elected the first 20 African-American congressmen, how did that party become a party that now loses 95 percent of the black vote?
He was gazing at her, the way one did when one felt one was unobserved. He had that look on his face, the look he usually got only when he was playing the violin, as if he were completely caught up and entranced.
If we look at 'Black Panther,' it did so well. There were a bunch of supporting black characters in the movies for years and then it took a long time, but finally they did make that.
When you're a hammer (as the saying goes), all your problems look like nails. If you're a meteorite expert pondering the sudden extinction of boatloads of species, you'll want to say an impact did it. If you're an igneous petrologist, volcanoes did it. If you're into spaceborne bioclouds, an interstellar virus did it. If you're a hypernova expert, gamma rays did it.
One day, I looked up and saw I had an extensive resume and saw how I did that and did not realize it because you are constantly working and trying to build a body of work.
Did you not look upon the world this morning and imagine it as the boy might see it? And did you not recognize the mist and the dew and the birdsong as elements not of a place or a time but of a spirit? And did you not envy the boy his spirit? For you know there can be no power over him who freely gives what another would take. Such a one has the capacity to love. Freely, naively, to say I do.
I don't necessarily believe that 'The Cosby Show' should disappear as a cultural reference, but it is. That's sad to me. I understand why. He was a man who possibly did some really bad things, and he should be punished beyond a doubt. But that show, and the impact it had not just on black culture, but culture, was amazing.
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