A Quote by Tino Sehgal
Because of this high status of the object in our culture, something has to be a thing. Live efforts are almost marginal. I think dance, for example, is just as much a thing, and I want for it to have the same status. I don't want it to be the thing that comes in the evening and is, like, the happy music.
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The status quo is a product of our culture or our culture is a product of the status quo - I'm sure which is the effect and which is the product - there is probably a feedback loop there that is mutually reinforcing. But we have a culture that says "Hey, look around. This place called Earth was created for you and you can do anything you want with it."
We live in this society where you must constantly be reinventing yourself. The big question is what are you doing next. The only thing they want is composed of these three elements: They want you to do it the exact same way because they want more of it; but they want it to be totally different; and they want it to be better. That's all you have to do. You just have to do something that's exactly the same, totally different, and better.
How did we lose our culture? Black people used to all do the same thing on Saturdays. We all watched "Soul Train" and "American Bandstand", got our fashion and dance tips, and then we emulated it and bought those records that we heard. Now it seems like there is no culture. The school of fish are all separate. Everybody's just randomized, listening to their own thing in their earbuds, and there's no uniformity. That bothers me.
So you find a lot of things in Egypt in royal and high status tombs made out of gold because it's a precious object. It was as precious then as it is now, and so it's a representation of wealth and status.
I just want one fight. Because, like, for me, it's not about the status, not about the glory. It's not about the money. Like, I just want to throw my hands and see what I'm made of. And I think that wrestlers and fighters have that same fighting spirit.
Rock 'n' roll and playing live is very addictive. But you have to really be careful, because you don't want to do it all the time. It's like when you are young and you think if you are not having sex you're wasting your time. But as you get older you realise everything has its place. It's the same thing with performing.... Performing is a great thing to do but you don't want to have to be doing it every night.
I know there's a part of the feminist world that is like, "Hey, screw 'em, we'll do our own thing over here," and I can see there's a value in that. But a kind of nudgy part of me thinks: No. I want access, and I want my daughters to have access to the exact same thing, because we all know there's no such thing as separate but equal.
I think thinking for yourself is such a hard thing to do, because you just want to fit in in high school. So being comfortable with who you are is such a massive thing for a lot of people.
My proudest thing in my career is that I was able to change it three times. And I'm happy about that. I couldn't have done the same thing my whole life; I would've gone nuts. I couldn't do it, because I do things based on impulsive excitement, and I'm just not that guy that can do something for 50 years and be excited about the same thing.
I'm just a music fan. I like pretty much all types of music, and I feel like I can get something out of everything. It just makes work a lot more fun whenever you're working on different things all the times and usually once I work with a band I usually will want to work with them again, just because we become good friends. That sometimes is the only bad thing, is that I work with bands that I already know. That's not really the best thing in the world because I should always be keeping my eyes out on other things.
I want you to stop running from thing to thing to thing, and to sit down at the table, to offer the people you love something humble and nourishing, like soup and bread, like a story, like a hand holding another hand while you pray. We live in a world that values us for how fast we go, for how much we accomplish, for how much life we can pack into one day. But I'm coming to believe it's in the in-between spaces that our lives change, and that the real beauty lies there.
I want to write, I want to sing. I want to do the same thing for others, have my music, hopefully do that for others one day, not realizing what I sort of had to climb. I had an idea a little bit, but I think that I underestimated the whole thing.
If there is one thing that, as a director, you don't want to be a part of, it's a group. It's the same thing with music. I don't want to be a part of a scene. Just leave me alone. It's just my nature, and it's nothing against the people that are in that group, but I just like to be left alone.
I think we can be very narrow-minded in this country; you see something that someone's done and immediately want them to do the same thing again - but if they don't, they're criticised for not doing the same thing again, but if they do they're just repeating themselves.
It's very much like opera singers. They do the same thing. The first thing in the morning and the last thing at night, the thing they think about is their voice and how to take care of it.
The biggest thing about me, as an actor, is I'm never a finished product, you know? I always want to try something or be in a new genre because, one, it's much more fun to do that because you're not doing the same thing over and over.
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