A Quote by Tod Papageorge
My argument against the set-up picture is that it leaves the matter of content to the imagination of the photographer, a faculty that, in my experience, is generally deficient compared to the mad swirling possibilities that our dear common world kicks up at us on a regular basis.
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A photograph records both the thing in front of the camera and the conditions of its making... A photograph is also a document of the state of mind of the photographer. And if you were to extend the idea of the set-up photograph beyond just physically setting up the picture, I would argue that the photographer wills the picture into being.
When we follow the reversal of normal experience, we find ourselves in an unusual, nearly mad experience. Being in an almost mad experience is not something we should fear: only in such experience are we jarred out of our common sense opinions and beliefs. It opens our minds to other ideas and thought. It makes us think.
Inspired men have been raised up, who have given us our form of government, and the code of laws by which we are controlled, the best ever evolved by man, so far as we are able to judge. The Lord has strengthened the arms of the patriots who have defended us against the assaults of all those who have come up against us, and delivered us until today, from those who would have torn us asunder. Against all opposition, I sometimes think almost against ourselves, the Lord has brought us to our present condition, until this nation, like a city set on a hill, has become the light of the world.
We are limited by our agreements on possibility. Agreement is a common exclusion of alternate possibilities. Agreement is the cement of social structure. Two or three gathered together, agreeing on what they are after, may create a subset in which their goals can be achieved, even though folly in the eyes of the world. The world in this case means a set of expectancies agreed upon, a set excluding other possibilities.
Demons frighten us because we set ourselves up to be frightened. We are overly attached to our reputations and possessions. When we love and desire what we should be rejecting, we are in conflict with our true selves. That's when the negative energies catch us and use our weapons against us. Instead of taking up what we have to defend ourselves, we put our swords in the hands of our enemies and make them attack us.
Henry Corbin creates the world - most of all his examination of the imagination and what the imagination was for him. Some philosophers would think of the imagination as a synthetic ability, how you put different things together. Artists more think of the imagination as creativity. So I really like the way that he presents the imagination as a faculty that allows one to experience worlds that are not exactly physical but are real nonetheless.
There's a song called 'The Lights of My Hometown' that goes back to me growing up a regular kid. I mean, I lived in a town that I loved, but was too small for the dreams I was dreaming. You leave thinking the world has a lot more to offer than your hometown, only to realize years down the road that no matter where you grow up, you will never be able to recreate the innocence and feeling of 'home' anywhere else in the world. No matter who you are, or where that little town is, that's something we all have in common.
The idea of a group of elders is that, in past civilizations, they have linked worlds; the other world was also present in this one. There is also the argument that elders have "experience." The problem is that experience teaches fear of change. Experience kills imagination. Experience makes people conservative. What we are facing tomorrow requires the force of imagination, not wisdom from yesterday.
I had from childhood not only the experience of love and truth common to all family life, but the idea of them embodied in the person of Jesus, a picture always present to our imagination as well as our feelings.
Who but the artist has the power to open man up, to set free the imagination? The others - priest, teacher, saint, statesman, warrior - hold us to the path of history. They keep us chained to the rock, that the vultures may eat out our hearts. It is the artist who has the courage to go against the crowd; he is the unrecognized "hero of our time" - and of all time.
Perhaps the most common argument against the advocates of cancel culture is that they're lame and uncreative - and I think they generally are.
I am very astonished that the scientific picture of the real world around me is deficient. It gives a lot of factual information, puts all our experience in a magnificently consistent order, but it is ghastly silent about all and sundry that is really near to our heart, that really matters to us. It cannot tell us a word about red and blue, bitter and sweet, physical pain and physical delight; it knows nothing of beautiful and ugly, good or bad, God and eternity.
The Imagination that is raised in man (or any other creature imbued with the faculty of imagining) by words, or other voluntary signs, is that we generally call Understanding; and is common to Man and Beasts.
We are extricating ourselves from a system that insulted our common humanity by dividing us from one another on the basis of race and setting us against each other as oppressed and oppressor. That system committed a crime against humanity.
One of the capabilities, which seems to be the most difficult for aspiring leaders to maste is realistic optimism. It requires one to recognize that our experience of life is largely up to us, that our situations, good or bad, are largely due to our ability on a moment-to-moment basis to capitalize on opportunity. Those that approach life as if it is largely outside of their own control, or that others are largely to blame for their circumstances, generally find growth elusive.
So I'm a young boy in the 1940s growing up, seeing Ralph Bunche on a regular basis, seeing Duke Ellington on a regular basis. We know that these people are famous. They're living in the same community as we live in. They go to the same stores and shops.
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