A Quote by Tom Berenger

The Big Chill is one of those things that everybody can identify with. Between eight characters, they can pick somebody who's somewhat like them — © Tom Berenger
The Big Chill is one of those things that everybody can identify with. Between eight characters, they can pick somebody who's somewhat like them
The Big Chill is one of those things that everybody can identify with. Between eight characters, they can pick somebody who's somewhat like them.
[ Christianity], in and of itself, sets itself apart inherently, and so, for somebody to say, Well it just seems to me like you can pick between all these religions and still have the same thing. Its kind of like somebody saying, You could pick between 80 bananas and one apple and say you have a banana. You cant call that apple a banana.
I would like to carve my novel in a piece of wood. My characters—I would like to have them heavier, more three-dimensional ... My characters have a profession, have characteristics; you know their age, their family situation, and everything. But I try to make each one of those characters heavy, like a statue, and to be the brother of everybody in the world.
I think everybody wants to feel validated in some way, and when you're looking for leisure activities or if you're looking for escapism or things like that, you want to read about characters you can identify with.
In 'The Big Chill,' those characters are in middle age, thinking, 'Oh, God, I've turned into my parents. I've failed.' And in 'Beside Still Waters,' we're showing the struggles of people who actually want to be like their parents and feel they can't live up to their heights.
Big things always interest me, but the big things don't work because they're too big. You have to find characters in which to couch all those things.
You need to pick your spots and bet big when you identify them. That's basically my 'Jeopardy!' strategy in a nutshell.
I identify as an agent when I'm agenting, and I identify as an author when I'm writing. I expect both those things to be true for as long as I'm able to do them.
A big part of filmmaking, and a big part of the power of filmmaking, is creating characters that people fall in love with. So, those things, like the bloopers, create more reality and dimension, and the sense that these are not drawings or shadows, but they are living, breathing, thinking characters. That's the illusion.
I think I'd like to do a big movie with a strong female lead, whether or not she would be a superhero. I'm more interested in characters like Scarlett Johansson in 'Lucy.' I'm less interested in people with superpowers because I can't identify with them.
Because I lost a daughter, eight years old, to cystic fibrosis, I think that anytime that I'm dealing with people who, like Andrea Yeager, are trying to help those sick children, I identify very much with them.
'The Big Chill' had a bunch of really talented actors, a great soundtrack, and the college connections that the characters shared. It's one of those movies I glean something different from every time I watch it.
To what extent do we self-construct, do we self-invent? How do we self-identify, and how mutable is that identity? Like, what if one could be anyone at any time? Well, my characters, like the ones in my shows, allow me to play with the spaces between those questions.
It's hard to pick out a single team, because there are so many big games here in the Premier League, obviously there are the top teams like Liverpool, City, Chelsea, I think those big games, the 'big six' are always good. We always look forward to them, we all want to be on the pitch and to win them.
Listen and learn: you need fourteen characters, minimum. Use random letters, not words. Here’s a tip: think of a sentence, and use the first letter in each of those words. Mix it up between upper and lower case. Then pick two numbers that mean something to you – not dates – and stick them somewhere between the letters. Put a punctuation mark at the beginning of the password and then a symbol, like a dollar sign, at the end.
I really loved working with Michael Caine. He's a really skilled and experienced actor. I learn something from everybody, but when you work with somebody like that, you actually learn things you can put in your toolbox, things about craft. Not necessarily life lessons, but actual things he knows that you can pick up.
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