A Quote by Tom Berenger
I didn't know how to go about preparing for the part of someone who can't remember who he is. The frustration angle is written in, but there's also this incredible passive state.
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I didn't know how to go about preparing for the part of someone who can't remember who he is. The frustration angle is written in, but there's also this incredible passive state
'Turn to Stone' was written about the Nixon administration and the Vietnam War and the protesting that was going on and all of that. It's a song about frustration. Also, I attended Kent State.
Everybody has an angle. The only time I say no to an interview is when someone says they don't have an angle. I know right away that that's not honest.
I find Nigeria very frustrating. I am not alone in this. There are many Nigerians abroad. As you know, the brain drain is just incredible. And when we talk to one another and there is a certain sense of frustration and but I struggle not to let the frustration degenerate into dispair.
To have a record crowd for What Culture, to be in there with Kurt Angle and not to be just, like, Kurt Angle plus garnish, for it instead to be Kurt Angle v. Cody Rhodes, our second match, actually - it was very vindicating. It's also nice, you know: the greatest revenge in all the world is success, so it's nice to be vindicated.
We always talk about how important representation is. It's so important to see someone that looks like you - whether you're African American, Asian, Indian or whatever your background is - doing incredible things. It's just motivation to go out there and do incredible things yourself.
What I like about music is the songs you can remember the lines of in a single second. The Beatles, The Rolling Stones... You can remember every line to their songs. But today, how often do you remember any of the lines to songs? I mean, I know that one of the Lily Allen's last albums is called It's Not Me, It's You. But I don't know how the songs go.
Passive violence can be as simple as someone honking their horn at you for not turning fast enough when the light changes. And it can be highly complex, like when your co-worker undermines all of your work relationships by spreading rumors and lies about you. That's how passive violence rolls.
You know how is it when you love someone? And the hard part, the bad part, the Jerry Springer Show part is that you never stop loving someone. There's always a piece of them in your heart.
I would be a liar if I said I don't care [about my appearance]; yes, I care. I found it very difficult, when I first became well known, to read criticism about how I look, how messy my hair was, and how generally unkempt I look. The nastiest thing ever written was written by a man, and I do remember that. I wasn't looking for it either, it was just simply in the newspaper I was reading.
I would never sit and write a song in front of anyone, because you're so vulnerable. I don't know at what point in the process that it becomes acceptable to pass them on. When a song wants to be written, it will be written. When it does come, I will very rarely go back and edit lyrics. I'm quite a rational human being, and the only part of my life that I can't rationalise, or can't make sense of, is how a song gets written or why.
How will you go about finding that thing the nature of which is totally unknown to you?" (Plato) The things we want are transformative, and we don’t know or only think we know what is on the other side of that transformation. Love, wisdom, grace, inspiration- how do you go about finding these things that are in some ways about extending the boundaries of the self into unknown territory, about becoming someone else?
You do remember things that people say in movies. You remember particular lines and things that are funny. But, you also remember really strong images. Images have a way of bypassing your brain and hitting you emotionally. There are so many things from movies that are remembered, that are just looks on people's faces or incredible vistas or beautiful pictures. That is a very important part of cinema.
I am a really passive person to begin with so I have written a lot of pretty crappy songs with strangers because I let it go in a direction that I didn't feel it should have and I didn't know them well enough to speak up.
It was right then that I started thinking about Thomas Jefferson on the Declaration of Independence and the part about our right to life, liberty, and the pursuit of happiness. And I remember thinking how did he know to put the pursuit part in there? That maybe happiness is something that we can only pursue and maybe we can actually never have it. No matter what. How did he know that?
I wish there was someone I could have written to after that, someone I could have written to explain how awful it was to have someone touch you, then look at you properly and change his mind.
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