A Quote by Tom Fletcher

I always wanted to play Marius in 'Les Miserables,' I actually got offered the role but I had to commit to do it for six months, and as that meant I wouldn't have been able to tour with McFly I turned it down.
I had been practicing guitar about six months beforehand; I concentrated mostly on the songs I had to play. I got those down pretty well so they could use me actually playing.
'Les Miserables', the book, 'Les Miserables', the musical - it's about giving; it's about goodness. It's about compassion and love.
In the Broadway world, I've always wanted to play Valjean in 'Les Mis', since I've already played Gavroche. I'd also like to play the Phantom of the Opera, but I haven't really thought about any film characters. You've got to have a whole lot of training for the Phantom role, vocally.
I was basically 18 when I got offered to join Mister Valentine band and go on tour and leave high school. I was pretty stoked on that, but the band wasn't really my style so after like six months of playing with them I decided to play with the aesthetic of a DIY hardcore band playing pop music. That was the original idea.
There's actually a time when I got cast in something and it was announced that someone else was cast. I hadn't been told yet if I had the role and I had a breakdown because I really wanted it and it was announced on this website that this other girl had gotten it. I was so sad and called my agents and said, "You guys didn't tell me this other person got the role!" They were like, "No, they haven't decided yet." Then two hours later I got the call that said I had the role.
The reason I am unemployed for six months out of every year is because I have to turn down most of the films I'm offered. If I didn't, I'd only ever play a dark, satanic count on a horse.
I'd just got back from filming my role as Flo in 'Kidnap & Ransom' when I got the news that Channel 4 had re-commissioned 'Fresh Meat,' so I think it was the first Christmas I could actually relax knowing that I had three months' work sorted. As an actor, that's always a good feeling.
I didn't know I could sing until I auditioned for 'Les Miserables.' My friend was auditioning, and I wanted to audition too.
I am just a journeyman actor. Most often I take what's offered me, and I've been able to work year after year. I was in 'Scarface.' Some people think this must have done me a world of good. Truth to tell, six months after 'Scarface' I had to take a job with a real estate development friend for a few months just to get by.
Villains are always the best roles, but that meant that for months afterwards, all I got offered were absolute cads and bounders and really nasty pieces of work, as well as a lot of people who only had one arm. Such is the limited imaginative power, you see, of a great many casting directors.
From the age of six I wanted to be an artist. At that point I meant a painter, but it turned out what I really meant was I was someone who was very interested in watching the world and making copies of it.
I would play in any number shirt for Newcastle United, but the No 9 at Newcastle is something very special and I've always wanted to wear it. I mentioned it to the manager, he mentioned it to Les and Les has been very kind and given it to me.
The young and dynamic and idealistic people in the square do not have the chance to organise themselves politically, to be able to follow through their dreams in six months time, to play an effective role in the future.
When I was little, I saw the play 'Les Miserables' on Broadway, I thought it was the most amazing thing I have ever seen.
I'm doing 'Les Miserables,' the movie. I've done a lot of musicals and a lot of movies, and I know there are not a lot of people in Hollywood who have been down those two paths so I've been like, 'Come on, let's do a movie/musical.'
And I've always been able to play basketball at the highest level, and been able to play a significant role on the team I've been traded to.
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