A Quote by Tom Ford

Students in the '60s were responsible for great changes, politically and socially. — © Tom Ford
Students in the '60s were responsible for great changes, politically and socially.
Where prominent writers are expected to have a socially, politically responsible voice, musicians sometimes find meaning only in the voice which produces melodies with vocal chords.
There was a sea of change in comedy in the late 1950s and '60s. We were dealing with vignettes as opposed to jokes. We were more socially aware.
We need to educate students to be critical agents, to learn how to take risks, engage in thoughtful dialogue, and taking on the crucial issue what it means to be socially responsible.
The influences in my life were all kind of politically, socially implanted. And then there was Watergate.
I moved to Chicago and began attending the School of the Art Institute of Chicago. The students and teachers I met in Chicago were politically active and also passionate about the same things that I was interested in. It was a great match for me.
In the early 1970s, Milton Friedman argued that corporations should not be socially responsible because they had no mandate to be; they existed to make money, not to be charitable institutions. But in the economy of the 21st century, corporations cannot be socially responsible, if social responsibility is understood to mean sacrificing profits for the sake of some perceived social good. That's because competition has become so much more intense.
Politicians are constantly stuck between what is politically expedient and politically beneficial and what is the responsible or right thing to do. It's a tension we all go through.
Of course, in our country, developing in a region with somewhat conservative traditions, women were desperately needed to be more engaged - socially, economically, politically.
Not all artists have a responsibility to be socially or politically aware, but they do have a responsibility to make great art. They have to find some truth and put that in their music.
Opera is something you have to educate yourself about. You have to make sure you understand the stories, what was happening politically, socially during the time these things were made and how they've changed through history.
There are people who are socially ambitious. If you go back aways, the Sculls, for instance, had a lot of money and they were socially ambitious. If you get an old master, it's not going to do you any good socially.
If architecture is going to nudge, cajole, and inspire a community to challenge the status quo into making responsible changes, it will take the subversive leadership of academics and practitioners who keep reminding students of the profession’s responsibilities.
As it can be maintained that all the great advances have come from men under forty, so the history of the world shows that a very large proportion of the evils may be traced to the sexagenarians, nearly all the great mistakes politically and socially, all of the worst poems, most of the bad pictures, a majority of the bad novels and not a few of the bad sermons and speeches.
American civil rights leader, Where Do We Go from Here: Chaos or Community? Lynching is a murder. For the past four hundred years our people have been lynched physically, but now it's done politically. We're lynched politically, we're lynched economically, we're lynched socially, we're lynched in every way that you can imagine.
I was at a benefit for some imprisoned students in the '60s at San Francisco State, and there were lots of poets reading for the benefit: one was Elizabeth Bishop.
To avoid being mistaken for a sellout, I chose my friends carefully. The more politically active black students. The foreign students. The Chicanos. The Marxist professors and structural feminists and punk-rock performance poets.
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