A Quote by Tom Herman

There are a lot of three and four-star guys undervalued because of intangibles. — © Tom Herman
There are a lot of three and four-star guys undervalued because of intangibles.
In the end it all comes down to talent. You can talk all you want about intangibles, I just don't know what that means. Talent makes winners, not intangibles. Can nice guys win? Sure, nice guys can win - if they're nice guys with a lot of talent. Nice guys with a little talent finish fourth, and nice guys with no talent finish last.
Four guys go out and four guys go in like the storm troopers in the Star War movies.
Leadership is one of sports' intangibles. Guys can score, guys can fight, guys can skate faster than anybody else. But not everybody can say, 'Follow me.'
Leadership is one of sports intangibles. Guys can score, guys can fight, guys can skate faster than anybody else. But not everybody can say, Follow me.
Now, everybody knows the basic erogenous zones. You got one, two, three, four, five, six, and seven. ... OK, now most guys will hit one, two, three and then go to seven and set up camp. ... You want to hit 'em all and you wanna mix 'em up. You gotta keep 'em on their toes. ... You could start out with a little one. A two. A one, two, three. A three. A five. A four. A three, two. Two. A two, four, six. Two, four, six. Four. Two. Two. Four, seven! Five, seven! Six, seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! [holds up seven fingers]
I think I'm a three. But if we got three wings out there, I'll go play the four. As a four, I'm in the post a lot more. It changes your role.
Character actors just pile up the credits because you work on a movie for like a few days. It's not like I'm the lead in everything I do - far from it. I'm not spending three or four months on a picture; I'm spending three or four weeks. Sometimes three or four days.
Character actors just pile up the credits because you work on a movie for, like, a few days. It's not like I'm the lead in everything I do - far from it. I'm not spending three or four months on a picture; I'm spending three or four weeks. Sometimes three or four days.
Bach was so mathematical and I liked this idea that you could have one instrument going, 'One, two, three, four', and then you have another instrument going, [double time] 'One, two, three four', and another instrument going, [doubled again] 'One, two, three, four, one, two, three, four', so you could add twos and fours and eighths, and that happens a lot in Bach.
To me, mixed doubles is an undervalued tennis product. You have guys and girls playing on the same level, no handicaps. The guys aren't feeling bad for the girls. The girls pick on the guys. It's generally amazing tennis.
I see guys who can't make 10 percent of what I make, and yet they have four Bentleys, three houses, and four bodyguards.
To come in and win three races already this year and maybe set a record by winning four is pretty unique. But guys like Mark Martin, Rusty Wallace and these guys are not wanting that to happen.
A lot of guys can shoot two, three, four, five, six, seven, 10 feet behind the 3-point line. A lot of people can do it. It's just, when is it going to be considered a good shot? When are coaches going to encourage you to shoot that shot?
I always said in my mind I wanted to be an All-Star and show four-year guys in the NBA can be good players as opposed to just one-and-done guys. If I left after my freshman year, I wouldn't have gotten drafted, I probably couldn't deal with D-League and travel on the bus.
I just freestyle. I don't actually write the words on paper. It's just whatever comes into my mind. I'll record three or four lines at a time, get a good take, and do three or four more. It may be whatever comes into my mind. But I care about my craft a lot more than a lot of other people.
The movies I usually do are maybe three or four weeks because they don't have a lot of money.
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