A Quote by Tom Robbins

John Irving once told me he doesn't start a novel until he knows the last sentence. I said, 'My God, Irving, isn't that like working in a factory?' — © Tom Robbins
John Irving once told me he doesn't start a novel until he knows the last sentence. I said, 'My God, Irving, isn't that like working in a factory?'
Kurt Vonnegut speaking to John Irving while Irving was administering the Heimlich maneuver in response to Vonnegut's uncontrollable coughing..."John,stop- I am not choking. I have emphysema.
I want to say at once that I frankly believe that Irving Berlin is the greatest songwriter that has ever lived.... His songs are exquisite cameos of perfection, and each one of them is as beautiful as its neighbor. Irving Berlin remains, I think, America's Schubert.
A novel I read when I was about 17 or 18 - 'The World According to Garp,' by John Irving - really made me want to become a writer. The character of Garp is a novelist, and at the time, the whole lifestyle of being a writer was hugely appealing to me.
I'm big on story structure. I studied with John Truby, who mapped out story by means of moral wants and needs, and that's what I do. Hey, so does John Irving.
I love John Irving's stuff. It's that marriage of comedy and tragedy. It's really terrific.
Anything I've ever read by John Irving has been really well written.
If I had to pick, I'd say my favorite book is 'A Prayer For Owen Meany', by John Irving.
As far as I can find, almost no one in the profession - not even luminaries like John Maynard Keynes, Friedrich Hayek, or Irving Fisher - made public statements anticipating the Great Depression.
A brief short story may require only a few paragraphs after the climax. On the other hand, in his massive novel 'The World According to Garp,' John Irving's denouement consisted of 10 separate sections, each devoted to an individual character's fate and each almost a story in itself.
Books connect us with others, but that connection is created in solitude, one reader in one chair hearing one writer, what John Irving refers to as one genius speaking to another.
I read John Irving's novel 'The World According To Garp' when I was about 14 or 15. It was the first grown-up book that I had read. It is the story of a young man who grows up to be a novelist. I finished it, and I wanted to write a book that made the reader feel the way I felt at the end of that, which was sort of both bereft and elated.
I have a process that I seem to always, to some degree, as a writer, adhere to, but I certainly have never imposed the way I write a novel on my students. When I had students, I never said, "You should never start writing a novel until you have the last sentence." I never did that, and I wouldn't do it now, but people now seem so interested in the process [of writing fiction] that I have to constantly make it clear when I describe mine that I'm not being prescriptive. I'm not proselytizing.
I dressed all in black and went to see all the top photographers, like Irving Penn, and said, 'I am Veruschka who comes from the border between Russia, Germany and Poland. I'd like to see what you can do with my face.'
Irving Penn said he didn't want to photograph anyone under 60, and I think there is some truth about it.
If a man, in a lifetime of 50 years, can point to six songs that are immediately identifiable, he has achieved something. Irving Berlin can sing 60 that are immediately identifiable. Somebody once said you couldn't have a holiday without his permission.
You can’t learn to write in college. It’s a very bad place for writers because the teachers always think they know more than you do—and they don’t. They have prejudices. They may like Henry James, but what if you don’t want to write like Henry James? They may like John Irving, for instance, who’s the bore of all time. A lot of the people whose work they’ve taught in the schools for the last thirty years, I can’t understand why people read them and why they are taught.
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