A Quote by Tom Selleck

Good parts should always scare you a little bit, and good parts... you might not get advice to do them. — © Tom Selleck
Good parts should always scare you a little bit, and good parts... you might not get advice to do them.
You can do bad parts in good pictures or good parts in bad pictures and maybe get a little personal satisfaction. But the key to it all is good parts in good pictures.
As an author, you think you know where the good parts and the bad parts are. And then you read to a group of children, and you learn when you're boring them, and you hurry through those sections to get to the parts where they're interested again. You start to get a sense of your story's rhythm and flow.
Most programming languages contain good parts and bad parts. I discovered that I could be better programmer by using only the good parts and avoiding the bad parts.
There are not very many opportunities for little people in the industry. There are small parts and character parts, but we don't get the girl-at-the-end-of-the-film kind of parts... but I was quite happy with what I was doing.
It's easy to sound good. All you do is leave in the parts where you act tough and forget the parts where you get shoved around.
I've always found that it's such an emotional experience, trying to find the good parts of a bad character or the bad parts of a good character, and in the end, most of these qualities are already there inside me.
I've chosen the parts that have interested me and parts that I thought I could do a job with but also were challenging and a little bit scary.
There are good parts and bad parts and middle parts about everybody. So what I would like to be known as is someone who was true to himself and passionate about the game.
Any experience you have, there are good parts of it and bad parts, and you have to learn from the bad parts and the mistakes that you've made.
You want to make a little money, and sometimes you want to play some really great parts. Sometimes they don't always coincide, or co-exist. Sometimes you've got to do good parts for no money and... You know, I sometimes can't do movies just for the money. I really can't. I mean, I've tried. Believe me, I'd love to just take the money and run. That might just be part of the equation, but there has to be something there. You have to be somewhat creatively satisfied.
I look forward to parts that have a dimension or depth to them. This makes it interesting for me to do and the audience to watch. Whether he's a chocolate boy die hard romantic or a gangster with swag, every good has a little bad and every bad has a little good in them.
I usually get those parts which are slightly set away, a bit weird, so I am good at that!
The only parts I like out of any of those women books is the dirty parts. But I don't think their dirty parts are any good, really.
Take of London fog 30 parts; malaria 10 parts, gas leaks 20 parts, dewdrops gathered in a brickyard at sunrise 25 parts; odor of honeysuckle 15 parts. Mix. The mixture will give you an approximate conception of a Nashville drizzle.
As an actor, you'll have ten parts in 2015 - eight of them will go to the other actors above you and two of them you might be close to, and you try to make them as good as you can.
It is in vain that we search for an essential difference between good and evil, for their constituents are the same. The crucial distinction lies in their structure, i.e., the manner in which the pieces are assembled. Evil is disintegration, an angry juxtaposition of alienated opposites, with parts always striving to repress other parts. Good is the synthesis and reconciliation of these same pieces.
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