A Quote by Tom Six
For all filmmakers: True originality is the key, only direct your own unique movie scripts, be a megalomaniac and not give a damn.
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I would say trust your own judgment and develop your own style that is true in your heart and don't be deterred from that. Just develop that something that's unique to you that you feel you can give. Be true to yourself, trust your own judgment; that's all.
People don't give a damn about you and they don't give a damn about your story and they don't give a damn about your content. They only give a damn that you, your content, your story can bring value to them.
What is unknown is the fulfillment of your own unique life, the likes of which has never existed on earth. And you are the only one who can do it. People can give you clues how to fall and when to stand, and when you are falling and when you are standing, this only you can know. And in the way of your own talents is the only way to do it.
The movie studios, they only like to make - I make a joke, but it's true - if the movie has the word "man" and a number in the title, they'll make it. If it doesn't have that, it's an R-rated raunchy comedy, and that's it. Any other movie that you're going to make is going to be an independent one. So for filmmakers who want to do something other than "man" and a number, it's either independent films or television, which is like the place for real creative filmmakers to go.
I had seen "Force Majeure" and I just love that movie so much. And I really wanted to artistically give a little hello to the filmmakers, and that kind of back and forth dialogue between artists that say, "I loved your movie. I was influenced by your movie. If I didn't have this job, I wouldn't be thinking of that. Do my TV show and then one day I'll make a movie where I can play with some of the visual themes in "Force Majeure."
As a director, I design every movie to be true to itself, and damn it if they like it, and damn it if they don't.
It's probably unprecedented for a filmmaker simply to take the writers' script and treat it as the instructions on the package. What really happens is you pretty much suppress your own instincts - and your own views on the matter - and write things the way filmmakers would like to have them, though the filmmakers often don't know what they want. They can only find out by reading what you do.
Maybe this is all a bit of a myth, a willful desire to give each place its own unique aura. But doesn't any collective belief eventually become a kind of truth? If enough people act as if something is true, isn't it indeed "true," not objectively, but in the sense that it will determine how they will behave? The myth of unique urban character and unique sensibilities in different cities exists because we want it to exist.
You simply cannot give to the world all that you have to give to the world if you do not remain true to your own "selfish" desires. You have a unique set of precious values that can only be fulfilled by pursuing what drives you the most: your passions and dreams. Could Thomas Edison have tended to the downtrodden as Mother Teresa did? Could Albert Einstein have preached salvation as Martin Luther King Jr. did? Could Abraham Lincoln have built cars like Henry Ford? Always, the masses benefit from the individuals who insist on marching to the beat of their own drummer.
I think true originality is perpetual. It's always rolling along. True originality is not like this award or trophy you get if you do something weird. It's with you if you have it, and it's still rolling along somewhere, you just gotta go find it. It takes time to reach that point, and understand true originality... I think we all can find it.
...You have to pass an exam, and the jobs that you get are either to shine shoes, or to herd cows, or to tend pigs. Thank God, I don't want any of that! Damn it! And besides that they smack you for a reward; they call you an animal and it's not true, a little kid, etc.. Oh! Damn Damn Damn Damn Damn!
No matter how vast your knowledge or how modest, it is your own mind that has to acquire it. It is only with your own knowledge that you can deal. It is only your own knowledge that you can claim to possess or ask others to consider. Your mind is your only judge of truth - and if others dissent from your verdict, reality is the court of final appeal. Nothing but a man's mind can perform that complex, delicate, crucial process of identification which is thinking. Nothing can direct the process but his own judgment. Nothing can direct his judgment but his moral integrity.
You may give a piece of bread to a hungry person, and when the cravings of hunger return some one else must administer to his wants again; to put that person in a position to earn his own subsistence is true charity; in this way you direct his feet in the path of true independence, he is then only dependent on his own exertions and on the blessings of his God.
Although Bill Finger literally typed the scripts in the early days, he wrote the scripts from ideas that we mutually collaborated on. Many of the unique concepts and story twists also came from my own fertile imagination.
Knowing how to paint and to use one's colors rightly has not any connection with originality. This originality consists in properly expressing your own impressions.
The summer gig turned into my day job. I was an arts administrator who helped make indie flicks. At the filmmakers' encouragement, I tried shooting a couple of shorts of my own. Directing was stressful, it was not my strength. But writing the scripts and helping others with their scripts - that was a gas. Making stuff up the way I wanted to see it was the biggest kick I ever experienced.
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