From what has been said we can clearly understand the nature of Love and Hate. Love is nothing else but pleasure accompanied by the idea of an external cause: Hate is nothing else but pain accompanied by the idea of an external cause. We further see, that he who loves necessarily endeavors to have, and to keep present to him, the object of his love; while he who hates endeavors to remove and destroy the object of his hatred.
I think as a director you have to make it your own. It'd be a mistake to approach a project with the idea of 'I'm going to do this the way I think somebody else would,' because then you'd never be clear on your idea.
be yourself- not your idea of what you think somebody else's idea of yourself should be.
Personally, I have had sometimes moments where I thought my idea behind the idea of a collection - the concept maybe - something that we don't see at the end on the catwalk, I think the way it was, the genesis in my mind, was probably artistic, an artistic approach.
If we have come up with a creative decision and somebody comes up with another idea, you do have to get into the depths of it and ask: "Is it a better idea? Or is it a different idea?" That can be hard. But that's the type of conversation the director and I will have, or as part of our creative groups. So with that in mind, it's hard to keep a budget in line. It's like in life, if you've ever built anything for the first time you're usually better at it the second time.
The way I was brought up in improv was that any idea you have is not as good as your partner's idea, so if I see someone else initiating at the same time I am, I just defer to them because I assume their idea is going be better. And hopefully, they're doing the same with me.
Every so often in life, you encounter a brilliant idea. Usually, at least in my case, it's somebody else's idea.
You're creating ' it comes from the heart, the spirit, the soul. You're not manufacturing somebody else's plan, somebody else's blueprint, somebody else's idea that's not yours. So when you're creating, that's the beauty side of art, you know? It comes from within you.
Whenever somebody comes up with a good idea, there's somebody else who has never had a good idea in his life who stands up and says, Oh, you can't do that.
Whenever somebody comes up with a good idea, there's somebody else who has never had a good idea in his life who stands up and says, "Oh, you can't do that..."
I'm strictly a one-project-at-a-time kind of guy. If I came up with a compelling idea for a different book while working on a project, I'd probably abandon the first project and go with the new idea.
Take up one idea. Make that one idea your life - think of it, dream of it, live on that idea. Let the brain, muscles, nerves, every part of your body, be full of that idea, and just leave every other idea alone. This is the way to success.
I often find that having an idea in my head prevents me from doing something else. Working is therefore a way of getting rid of an idea.
When an idea comes, spend silent time with it. Remember Keats's idea of Negative Capability and Kipling's advice to "drift, wait and obey". Along with your gathering of hard data, allow yourself also to dream your idea into being.
First of all, in principle, I'm against physician-assisted suicide, and secondly, I believe it is the prerogative of the federal government to control drug rules. And the idea of using a controlled substance to end somebody's life is something I don't agree with. I can see the idea of using controlled substances to ease somebody's pain. That makes sense.
The Internet is just a chance to do something. Nowhere else can you go, 'I have an idea, I can write this idea, and I can execute this idea.'