A Quote by Tommy Chong
My incarceration was actually a positive thing from the beginning. I needed a gimmick to get my act going again, it gave me material.
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[Winning an Oscar] was a beautiful thing that happened. It is in my house, and every time I look at, I see all the people who are a part of it, all the people who gave me opportunities to work, gave me opportunities to make a living at this thing [acting] that was a dream for me, growing up. And I got to do it, and then again and again and again, and make a living out of being an actress.
God spoke to me clearly and said, 'Did I give my son Jesus on the cross expecting nothing in return?' God bankrupted heaven and gave the best gift he could give. He gave the best offering he could give. What did God need? He needed sons and daughters, he gave the very thing he needed. You can bring God a gift fully expecting something in return. Get to the phone!'
I'm pretty positive that if I started singing songs that were for my fame, the God would probably make me tone deaf again. I know why He gave me that voice. I know why He gave me my ears.
So actually what that was able to do was twofold. For me, it helps illustrate what DTS is capable of doing right from the beginning. And secondly, technically, it actually gave us a little bit more time so we could just finesse some effects and things like that, because when you release theatrical, you actually get a bigger window than if you're DVD when you have to have it done sooner so they can press the DVDs and all that kind of stuff.
I had a great first year and Mr. MacDonald was my biggest supporter. He gave me the encouragement I needed that first year to get my career started on a positive note.
I always felt like I needed to act. Not that I wanted to act, but I needed to. And, I still feel that same way. There's an expression that I get to have in acting that I can't consciously express in my life. It has always defined me and it always will.
I always felt like I needed to act. Not that I wanted to act, but I needed to. And I still feel that same way. There's an expression that I get to have in acting that I can't consciously express in my life. It has always defined me and it always will.
I revise a lot while I'm drafting, often going back to the beginning again and again to revise because I've changed massive things about the story. By the time I get to the end of a first draft, I've been through the beginning lots of times.
Actually when I gave out the script, I gave it with a CD of all the music I wanted to put in the movie, and again, we never thought we'd get all that music.
I felt a comedy ego beginning to grow, which gave me the courage to begin tentatively looking into myself for material.
I asked for strength,
and God gave me difficulties to make me strong.
I asked for wisdom,
and God gave me problems to learn to solve.
I asked for prosperity,
and God gave me a brain and brawn to work.
I asked for courage,
and God gave me dangers to overcome.
I asked for love,
and God gave me people to help.
I asked for favors,
and God gave me opportunities.
I received nothing I wanted.
I received everything I needed.
God gave me a voice to sing with, and when you have that, what other gimmick is there?
I was always searching, always seeking the next big thing, because that was the thing that was going to make everything all right again. And while I was working toward it, it gave me something to think about other than that thing I couldn't put my finger on. But it always came back.
Luther Vandross was doing fine, but he said, "Man, I want to do my own project." So he got us all to do a demo, and that demo was "Never Too Much." It took him a year and a half to get signed, because he didn't have a gimmick. The record companies were looking for his gimmick. They said, "What's your gimmick?" He said, "I sing. That's my gimmick." Anyway, he finally got signed and the record was released, and the rest was history.
Kids always act up the most before they go to sleep. And when I see the Tea Party and all this stuff, it actually feels like racism’s almost over. Because this is the last - this is the act up before the sleep. They’re going crazy. They’re insane. You want to get rid of them - and the next thing you know, they’re fucking knocked out. And that’s what’s going on in the country right now.
With a song, it only takes a couple of minutes to go back to the beginning and try it again to see if it works. The novel freaks me out because, what if you get into the eighth chapter and think, 'Let's go to the top and see if this works again? It's going to take me three weeks.' I'm in awe of that.
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