A Quote by Tommy Gibbons
Dempsey could beat anybody he could hit. The only reason that he couldn't do anything with fellows like Tunney or Greb or myself was he couldn't hit us.
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Back in the '80s and '90s, you could hit the quarterback low, you could hit the quarterback high. You could hit him pretty much late.
And the general shot my sister. I could not look at her, but I remember the sound of when she hit the ground. I hear that sound when things hit the ground still. Anything.' If I could, I would make it so nothing ever hit the ground again.
I could be shooting myself in the foot, but in some ways, I feel I've said all I've needed to say when to comes to, say, the 'X-Men.' I think I've hit the bright points, I think I've hit what I wanted to hit, and I can be happy moving on doing other things.
I've never hit anybody in my life. I never would, and the only way I could make a point was by hurting myself...It's something I've done since I was a teenager.
Gene Tunney called Gibbons 'the perfect boxer.' Gene said he learned more about the technique of boxing and punching from watching Mike training in New York gymnasiums and in actual fights in Gotham than he learned from any other individual associated with the fistic sport.
Moreover, Tunney has told me it was Gibbons' clean-cut victory over Jack Dillon, the mighty light heavyweight from Indianapolis, that inspired in him the belief he could whip Jack Dempsey.
When you get hit, you hit back, you've got to do it. You don't just say "I didn't get hit, oh I didn't get hit." When you get hit, we are destroying our country with these sick people [from mass media] back there, and they know it better than anybody in this arena.
Jim Courier did a great job of showing the rest what is possible. He could only hit forehands, but almost every one could have been a winner. But Jim struggled when others learned to hit the ball just as hard. Many look at Andy Roddick as being a similar animal, and it could well be in a few years everybody hits the ball as hard as him.
Boxing has always been work to me, a job. If I could say anything to a youngster taking up boxing it would be to "be smart and not take a lot of punches". It's called the sweet science for a reason. Hit and not be hit, make a lot of money without taking a lot of punishment. That's what it's about.
He doesn't like to be hit. Not that anybody likes to be hit, but Brock for whatever reason has shown much more of a dramatic response to the negativity of those shots. To the point where he's not asleep, it isn't like he got knocked out, he's not getting dropped, but he just turns his face away from adversity.
If you hit the front end on the right-hand side you could turn that one on by itself and if you hit on the left-hand side you could turn it on and off. And in the middle it was like serious overdrive.
The crazy thing is, the last club I ever learned to hit was my driver. My brother and I ended up being known for our distance, but we had no idea how far we could hit the ball because we hit it the same, and all of a sudden, we're going to tournaments, and we're driving the par-4s. At 10 years old, I was hitting it, like, 240.
I used to be a pretty good hit-and-run man when I played in the minors. I handled the bat well and could hit the ball to the right side of the infield. Nevertheless, I know that you often give the opposition an out on the hit-and-run play.
These are very difficult times for new artists. Back in the day, a hit song could really seep into a person's DNA with radio and MTV. A hit today is not the same as a hit twenty years ago. Now there is so much competition, it is very hard to reach the people. The music scene is so overly saturated. There are no gatekeepers like there used to be.
When I played, a pitcher could throw at you any time he wanted to. In fact, he could tell you he was going to throw at you, and there was nothing said. You had to take it. If he hit ya, he hit ya.
You could have a season where you hit .330 and did all these great things, but nothing ever materialized from it and you went home October One. Or you could hit .260 and have key hits and key plays on defense that help your team get to the playoffs and win the World Series.
What is a hit? Who can tell? Who decides what a hit sounds like? I needed to remind myself that a hit is whatever people decide is a hit. I don't make hits; I make music. People make hits.
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